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Following a climate catastrophe, Andy uploads themself into the digital afterworld. Even though they have a hard time adapting to the digital world, the omnipresent superintelligence insists that paradise is right here. The film was mainly shot in the metaverse Second Life.
A David O'Reilly short film that opened for the 2009 Pictoplasma Conference.
In the midst of heartbreak and self implosion, a lapsed writer turned party girl must learn what it truly means to face her pain when she's hunted by a subterranean mother and its brood.
A man must continue smiling through Frank Sinatra’s “When You’re Smiling.”
Ready When You Are, Mr. McGill is a feature length TV drama, written by Jack Rosenthal. ITV produced two versions, in 1976 and 2003. The 1976 version was the first in a series of six single television plays called "Red Letter Days" each of which showed the events in a single, special day in someone's life. The 2003 version was a remake which was partly rewritten by Rosenthal.
Formats and films.
Short Western in which an Indian saves a girl.
Cuando Seas Mia is a Mexican telenovela produced by TV Azteca. It was the second reunion for Silvia Navarro and Sergio Basañez as protagonists.
A short film by Yuki Makabe.
A young man and his young elephant street beg in gritty Bangkok amid the controversial elephant business that threatens their survival, until the opportunity comes to release the elephant to the wild.
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their Auntie Pinky’s house in southeast San Diego in 2006.
A first-generation American high school student describes what she and her mom learn about people when cleaning their homes.
Warner Brothers looks back to the early days of talking pictures. Dwight Weist narrates film clips from five movies: "Sinner's Holiday," introducing James Cagney with a glimpse of Joan Blondell, "20,000 Years in Sing Sing," with a young Spencer Tracy and a younger Bette Davis, "Five Star Final," with Edward G. Robinson and a cameo from Boris Karloff, "Night Nurse," starring Barbara Stanwyck with a small role for Clark Gable, and "Svengali," with John Barrymore and Marian Marsh. Each movie is summarized and each star celebrated for work early in the history of sound cinema.
The phenomenon of negative manipulation is known to all of us, and very few of us can always defend ourselves and not have at least some remorse. And when the source of the manipulation is a supposed good, but it harms rather than helps and is part of a huge mental massage in a cult, we have a big problem. What effect can negative manipulation have on our lives? How to detect it and defend ourselves? We illustrate the topic with the story of Dusan Straus, a photographer and writer who got into the Chinmoy sect. Gradually, he left his job and started to devote himself only to the affairs of the sect. His wife hoped that it was only momentary, but he fell into the sect completely. The world outside the sect ceased to exist for him.
The work of taxonomists hides more secrets than can be perceived.
A documentary on the challenges in creating a show in NYC - the first intended to be seen from the High Line, that blurs the boundaries between reality and fiction, performers and spectators.
When You Love Yourself
Margot has been waiting in her house for 40 years. Her waiting morphs into desperate attention seeking. But she does not wait alone. Marie is becoming. Malleable, she tries to fit, slipping through her body and sliding around corners, picking up cues of who and how to be. Marjorie shines effortlessly. Her dream life, her golden exterior, her pretty performance, prove impossible and impermanent. Mother Flower is everything, the beginning and the end. Hers is a body of pure bounty, longed for, nourishing, sheltering. The four women are joined by a chorus of body parts, hands and tongues, mouths and babies, across grandiose performances, staged death scenes, fledgling steps, and displays of fertility and futility, as they reveal how hard it is to be in a body, to be a body.
A mostly true portrait of Malcolm, a modern American young-person raised on TV & McDonalds, and his grandma, Lola, a strong and loud lady who immigrated to the U.S. in the 1970’s after surviving off eating newspaper in the Philippines for 30 years.
A film by Pyotr Deanna, Al Kotraba, and C. Graciano
