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Based on a true story. Liz Murray is a young girl who is taken care of by her loving, but drug-addicted parents. Liz becomes homeless at 15 and after a tragedy comes upon her, she begins her work to finish high school.

The Tramp and his dog companion struggle to survive in the inner city.

Castro has outlived generations of US Presidents, Soviet General Secretaries, CIA Directors and would-be assassins. This film offers a psychological profile of the Cuban revolutionary, and a deeply intimate account of his life based on private letters, correspondence, speeches and interviews. It features interviews with some of Fidel Castro's closest relatives, close friends and committed enemies.

Ben and Katie Jordan are a married couple who go through hard times in fifteen years of marriage.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

The CIA’s hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agency’s man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky – a satellite link – watches Ferris. At the other end of that real-time link is the CIA’s Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival.

A dog named Rover explains to a black, down-on-his-luck shaggy dog named Andy how he got his master. He went into a hotel room and bothered someone taking a bath--Porky Pig. Porky doesn't want Rover as a pet, no matter how many times Rover tries to make Porky adopt him.

Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

A retired teacher fears the world is coming to an end when his jobless son is abandoned by his wife after having a baby.

Officer Chris McCullers was gravely injured in a shootout and now works on 911-dispatch. Resentful that her career has ended up here, Chris receives a call from a scared kid and dismisses it as a prank. The next day, she learns that the call was all too real: there's been a murder.

Gadeha (12) happens one day to be the victim of a car accident. He undergoes surgery. Penniless, his mother, Borkana, is helped by Malika and Moez, a benevolent couple that offers to pay for the hospital fees and provides the destitute family with a roof. Gadeha meets Oussama, Malika and Moez’s child (11) who is recovering from a kidney transplant. A strong friendship is made between the two boys. But Gadeha finds out haphazardly the secret of his family’s new standard of living. He is devastated.

In 2014, director Richard Linklater released Boyhood, a fictional coming-of-age saga that was filmed using the same cast across twelve years. This film mirrors that concept: creating a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.