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It is a subtle reflection of the comments entangled in our time spaces. It has no similarity with a heritage set in stone, the sole function of which is the payment of royalties to an author and his legitimate descendants for a period of seventy-two years outside the year of war.
The English poet and playwright William Shakespeare said: "All the world's a stage. And all the men and women merely players.» After observing, I can say that the whole world is a cellar and people are icicles in it. A few more moments and we will disappear - melt. Or maybe it's not about how much we have left? It is only necessary not to miss an important point. The film is a poetic film, a kaleidoscopic fairy tale journey to an old cellar, in which one winter morning, for strange reasons, the walls from the inside were covered with a thick layer of icicles.
In my “cellar” where case workers all the people of a great hotel, the head of the café, Donge, finds the corpse of Mrs Petersen, a rich client. The investigation by Maigret allows him to rub the husband of the victim, a Swede, Teddy, Ms Petersen’s son, his housekeeper, a social dancer and Donge himself who is the natural father of Teddy. The child he will go to his real father or not he will leave the rich Petersen who adores? The murder mystery and enigma sentimental are resolved by Maigret.
A man wakes up in a cellar and plans an escape.
British crime horror movie from 1916.
Wine Cellars itself is a Spanish-French co-production. He shot the film in the Paris studios and also in Spain, Andalusia and Seville. According to the critics, his story of love, honour, revenge, bulls and vineyards masterfully captures the spirit of this region, the sun beating down on the parched earth, life on the farms and vineyards and the celebrations coloured by the famous flamenco dance. Wine Cellars was originally a silent film and its soundtrack was only added later.
Lost comedy film from Georges Méliès.
A British family takes revenge into its own hands in avenging their recently slain daughter.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
