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A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.
The first documentary about the frontman of the popular rock band "Nerves" Zhenya Milkovsky. This is not only a story about the attitude of a rock musician. It is about constant movement, search, humanity, of course, about music and about you and me.
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Heart-warming youth film about family and friendship, about a young woman’s struggle to find her place in the world, despite her autism. ‘Just be yourself’, says Rima on her way into adulthood.
Under the spell of Cathy Berberian’s voice, scraps of melodies and poems in Sami's head. In love with spring and summer’s flowers, she walks through streets and gardens, pastures, fields and forests.
A young woman, who has almost given up hope of finding love, runs into someone in a cramped elevator. Someone who revives all her longings. The only problem is that she doesn't know he is or what he looks like.
An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.
College freshman Eleanor navigates sex, parties and consent in the unfamiliar environment of her small liberal arts school
It was the time when thousands of families left Hong Kong to look for a ‘better future’. After almost 20 years of separation, here comes the reunion dinner for a father and his daughter. The awkward distance between the two make them seem like strangers, but deep in their hearts hide their missing for each other. Memories intertwined with the present, both of them know that what really matters is your beloved ones are all well.
Judith leads a busy life with her daughter Lissi and her job as statistician.
The film begins with closing of the oldest prison in Latvia – the Brasa Prison was built in 1905 and cannot ensure normal functioning. Inmates are leaving the place that has long been their only home. Our protagonists reside in Ward 207. They have really inhabited it – there is even a fish tank in the ward! They are not from a different planet. Humanity of the inmates may contrast with their records of committed crimes. All have their small pleasures and big plans. All are longing for changes and being afraid of them. Likewise, the term of imprisonment is running out for several of our protagonists. They are getting ready for life at large. They know how to survive in extreme circumstances but are unprepared for living a normal life. One’s return to the big world is one of the most accentuated marginal situations.
In 1918, two important events took place in the City of Buenos Aires: an unexpected snowfall and the visit of Dadaist star Marcel Duchamp. The artist who dared to paint a moustache on the Mona Lisa touched Buenos Aires soil, getting around the restrictions of World War I and having as his only contact with the other members of the movement the handwritten letters in which he described the strange customs of the Argentinians. Through the endless possibilities of fiction, Everything I See Is Mine reconstructs Duchamp's days among visits to the Palermo lakes and the ritual of mate.
One way or another, they've all failed a little, a little sad, and a little crazy - the people who came to see the river.
A young married couple chooses to abort due to lack of financial resources.
Hong Kong movie
Film by Veiczi.
