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Rien ne va plus is a photofilm, a love story between the souls of two people who died at the same time: Igor, a refugee from Azerbaijan, and Kah, the murdered wife of a diplomat. A film about geographical, physical and spectral borders.
Bodo is standing on the top of a roof and ready to jump, when suddenly his phone is ringing...
A character lies submerged in erotic dreams in the solitude of a room, while a voyeur entity observes it from a window. Two worlds collide and it is the most perverse that ends up exercising its domain. Here sexuality is a dangerous issue and anyone who gets involved in it will be a victim of the absurd, violent and disturbing.
Documentary on Atikamekw craftsmanship that switches to documentary on the challenges of transmission within the community, the preservation of traditional indigenous knowledge and especially its protection from the various assaults of the world. There will be no moccasin movie. This is how the director's grandmother, Eden Awashish, decides to respond to the granddaughter project. The film will therefore speak to us about transmission but without revealing secrets that do not belong to us.
Achille and Roméo, handymen at a casino, one day find a corpse at the bottom of the pool they're cleaning. Fearing they might be accused of murder, they hide the body, but it disappears.
Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.
Someone has been killing cats in Emmanuelle's neighborhood while her own pet has been missing for two months. The tenacious and headstrong young woman is still desperately looking for it until she crosses path with an uptight neighbor. A look on social tensions, Nothing to See Here mixes dark humour and suspense to create a contemporary urban tale.
A Sunday morning like any other for Erwan and Eliza. Except that's the day their friend Max, a fifty-years-old teenager, chose to announce them he wants to start up a new life.
This particular love song is an ironic, oftentimes caustic, commentary on the terror and pain of love, from a child's desperate attempts at closeness with his parents to an adult's relationship with a cruel and isolating world. Animated boldly with a paint brush and black ink, the action, like a continual dance, throbs to the rhythms of a five-string banjo. Shapes change, are metamorphosed, in an emotional roller-coaster trip through the subconscious.
Paul lives in Africa. He leads an honest and calm existence. Until the day when he finds his friend Frankovich dead.
With his vitriolic pen, Désiré Loncle, does not make the life of filmmakers easy. But chickens come home to roost, don't they? As a matter of fact, Désiré gets his due punishment when Manu, his girlfriend, kicks him out of home. At a loss, he finds refuge with Alex, a young actor. He is soon joined by Eduardo, an Italian producer, dumped like him by his wife. While Désiré tries to rebuild himself, the three men decide to write a film script that will be the basis of a vehicle for Alex.
Mireille Mathieu, along with Edith Piaf and Dalida, is part of France's national cultural heritage. The documentary shows the tension between the celebrated and at the same time banished, the ambassador of France in the world, who appears only rarely in her own homeland. Why is Mireille Mathieu, the unusual star, so divisive?
