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An illustration of beings in a world where countless plant and animal species rapidly become extinct, and resources run dry due to greed. However, it is possible to avoid disaster by conserving and sharing what we have.
Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.
Pierre Gastié-Leroy is the son of a wealthy director of a factory of weapon manufacturing. Despite his parents, two generous uncles and a bishop godfather who try to inculcate him the rigid values of his social level, Pierre is a dreamer, antimilitaristic, social educator who dreams of saving three thugs, his "little guys" at the limit of delinquency. After several resounding failures that sent him to prison, Pierre is ordered by his father to join his factory to direct the social service. Tired of the venality of his father and the foolishness of the "little guys", Pierre hires them at the factory...
Two husbands claim to be Freemasons so they can go out at night. Where do they go, if not to the lodge, the Masonic lodge? In reality, one goes to visit a pretty and particularly welcoming concierge in his dressing room, and the other spends his evenings in the dressing room of a little music-hall actress.
A widower fights to keep the custody of his daughter that his in-laws claim.
A triptych formed by FAIT LES AMUSEMENTS, CONTRETEMPS, and COMME UNE OMBRE LEGERE. The viewer is challenged to find and occupy his own position, to find his perspective in a similar way the filmmaker has found it on a look-out-point in the mountains.
One morning Louise finds out that her best friend's mother is dead. She is going to spend the afternoon with her without mentioning anything about it.
A young director wants to direct a medieval film in the Paris suburbs. During the casting she concentrates on one single person. The parking lot in front of the theatre, on which the young actors are waiting their turn, quickly becomes the decor of the new scene. While inside the alienation between the director and her assistant reaches its climax, the dance of the "superfluous" begins outside.
An airplane is having trouble right above our heads. A pilot instructor, sitting in his car, is driving towards the airport. Cell phone in hand, he gives the steward instructions to avoid the worst. But soon the communication is cut...
A few years ago, Angela shot a documentary about a theater internship for teenagers. Today, some of the people who participated in the filming are telling us what they remember. However, their testimonies do not quite match.
A short film showing a rehearsal and live performance by Jeanne Balibar. Costa would go on to make a feature-length documentary with the same title and subject matter in 2009.
Two friends meet by chance at a street corner. A debate ensues between them…
