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On the edge of Bangladesh, between mountains and water, stands a post-office, the only sign of civilization. It has a notorious reputation: its employees disappear. Two men, in love with each other, work there.
A soldier is transported to the future through a time portal and ends up stranded in a post apocalyptic world devoid of any life, or so it seems.
Ulf Nawrot has been designing and collecting Post-Its for 32 years. This portrait gives an insight into the creation and diversity of his life's work.
Dennis and Henry are neighbors and both married their high school sweethearts. When they both get divorced at the same time for different reasons, Henry and Dennis lives turn upside down as they get back into the dating world and on with their lives after they receive a To-Do list from an old friend.
Facing a zombie takeover, the Legion Auxiliary rallies for the good of the Legion.
SET 1: Undermind, Tube, Funky Bitch, Steam > My Sweet One > NICU, Friend[1], No Men In No Man's Land > The Horse > Silent in the Morning > David Bowie, The Squirming Coil SET 2: Ghost > Axilla > Set Your Soul Free > What's the Use? > Billy Breathes, Death Don't Hurt Very Long > Backwards Down the Number Line > Harry Hood > Rise/Come Together > Golgi Apparatus ENCORE: Bug > Character Zero [1] Phish debut
One slow, hot afternoon in a neighbourhood built to be a utopian suburb for employees of the Palestinian Post Office; now becomes a lawless no-man’s-land between occupied East Jerusalem and Ramallah.
"Post Ductility: Metals in Architecture and Structural Engineering" presents a series of detailed lectures during which the past, present and future of metal is discussed. Speakers such as José Rafael Moneo, Mabel Wilson and Steven Holl bring forth examples of the material's merit and methodical use over the past two centuries. The engineerical history addressed during the conference highlights the developmental and aesthetical reliance designers have consistently felt towards metal as a material. Citing its form, structure and construction, the lecturers analyze the material's anatomy, tracking its adaptation and growth within the architectural world.
Over the course of many years, Jerimy and I built a relationship depicted in sound and image. I take on the role of observer, documentarian, friend, therapist, house guest, instigator, social scientist, mother and fetishist. Jerimy takes on the role of performer, object of desire, interlocutor, storyteller, muse, and informant. Our relationship forms the narrative of this feature length film. More than just immersing myself in the daily experience of his life, I wanted to make something that represented the peculiar power relationship between subject and documenter, by looking at the ways that I provoked, empowered and exploit my ‘subject’. The work reveals myself as an artist that knowingly glorifies and fetishizes her subject’s sexuality and youthful vitality, as well as a documentary that publicly teeters on the line between pleasure and suffering, lust and adoration, friendship and fascism.
After the release of his new album Twelve Carat Toothache, Post Malone performed an intimate acoustic set in Rome, Italy in the Summer of 2022.
"In Black Forest Trading Post, the postcard landmark itself travels the world, a winking subversion of the whole idea of ‘being-there’ and of the pilgrimages that postcards, or for that matter, other souvenirs, are meant to indicate."- Stephen Broomer
A Post-It Note goes on a journey of discovery looking for its father.
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
Time, decay and death. This short documentary tells us about one of the oldest sports and community clubs in the northern English city of Leeds.
