Regarder Noon Film Streaming Vf

A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.

When Professor Willingdon becomes wary of the nuclear weapons he is helping build, he steals a warhead and threatens to detonate it in London in seven days unless the government begins nuclear disarmament. As Willingdon goes into hiding, Detective Folland of Scotland Yard sets out to find him. Willingdon's daughter Ann also joins the cause, hoping she can talk sense into her father before he causes a catastrophe.

A bureaucratic chaos caused by an ink shortage.

A group of mexican high school students spent their time at parties and outside of school practicing skateboard, drinking an doing drugs.

Nefeli meets Panos two years after their breakup, during lockdown in Athens. Nefeli has moved on with her life but realizes that old feelings start to stir within her.

In a school playground Figueroa, a small and lonely child, is accidentally pushed against the biggest boy of his class: Almendros. The boys around them decide they should fight, so it's decreed the two of them must face each other, outside the school, when the noon bell rings. The ticking clock will become Figueroa's worst enemy, while he has to face his fears and insecurities in order to confront his enemy just outside the school at high noon.

Two teenage boys idle away a seemingly ordinary afternoon, but as events stir up hidden feelings, confusion leads to the testing of boundaries.

Experimental biblical short film retelling the crucifixion of Jesus Christ.

Mga Anino sa Tanghaling Tapat takes place over the period of summer. The adolescence of the three girls is told through the mundane rituals of the province: farm work, bathing, washing laundry, processions, and harvest rituals. Through the restless emotions, insecurities, blossoming loves, and conflicts - these young, beautiful and vulnerable girls will undergo an inevitable change through the passing of the summer.

Between 11:50 and 12:00 noon, a crime is commited. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, we are propelled closer and closer to the truth of what exactly happened...and why.

László is a composer, and his second wife is an actress. The couple lives in love and cheerful, mutual understanding. Suddenly László feels unwell. The diagnosis is that he suffers from an incurable illness.

A good husband and father of a 12-year-old girl, works as a driver for a wealthy family. Despite his seemingly peaceful nature, he too is capable of the most abject violence.

Six months after a breakup, Jess prepares to meet up with her ex for one last fight. A film about missing someone who hurt you, and how that is its own special kind of hurt.

The film creates a precise balance between abstraction and figurativeness, for example, when rectangles suddenly become perceptible as windows due to a creaking noise and a movement.

A luncheon on the grass among the tombs. While the living are living, the voices of the dead are floating in the air. When lunch-time comes, the “Cimetière des Rois” (“Cemetery of Kings”), downtown Geneva, fills up with residents, workers, employees, students of the neighborhood. People come alone, in pairs, with friends or colleagues, to have a snack on the grass or to take a break on a bench. The living and the dead share a same space-time. Mixing contemporary Super 8 footage of people on the cemetery and sound archives of the personalities bored there, MIDI DANS LE CIMETIERE (NOON IN THE CEMETERY) is a short essay film, a kind of experimental documentary. If it was a painting, it could be a Vanitas, “a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death.”

A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son, Vincent, reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which revives the tension between them. Within a few minutes, the anger, the memories and the crossed looks move the two men deeply.

A spring afternoon on the San Cristobal hill, in downtown Santiago de Chile. Four friends and a sound engineer talk about the events seen and experienced during the popular revolt that began in 2019 in Chile. The film brings to the surface certain conversations related to any revolution: hope, disillusionment, fire, torture and police violence, but above all the importance of collective memory.