Regarder Noon Film Strea

Desire torments a former cultist taking refuge at the home of a scantily clad woman whose husband is away.

When Professor Willingdon becomes wary of the nuclear weapons he is helping build, he steals a warhead and threatens to detonate it in London in seven days unless the government begins nuclear disarmament. As Willingdon goes into hiding, Detective Folland of Scotland Yard sets out to find him. Willingdon's daughter Ann also joins the cause, hoping she can talk sense into her father before he causes a catastrophe.

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

A bureaucratic chaos caused by an ink shortage.

A group of mexican high school students spent their time at parties and outside of school practicing skateboard, drinking an doing drugs.

Nefeli meets Panos two years after their breakup, during lockdown in Athens. Nefeli has moved on with her life but realizes that old feelings start to stir within her.

In a school playground Figueroa, a small and lonely child, is accidentally pushed against the biggest boy of his class: Almendros. The boys around them decide they should fight, so it's decreed the two of them must face each other, outside the school, when the noon bell rings. The ticking clock will become Figueroa's worst enemy, while he has to face his fears and insecurities in order to confront his enemy just outside the school at high noon.

Two teenage boys idle away a seemingly ordinary afternoon, but as events stir up hidden feelings, confusion leads to the testing of boundaries.

A dark tragedy about a farmer's futile act of homicide that takes place on a small dairy farm in southern Texas during the 1890s. Sam Peckinpah directed this original adaptation of the Katherine Anne Porter novel for ABC, and the project became an hour-long presentation for ABC Stage 67, premiering on Nov. 23, 1966.

Mga Anino sa Tanghaling Tapat takes place over the period of summer. The adolescence of the three girls is told through the mundane rituals of the province: farm work, bathing, washing laundry, processions, and harvest rituals. Through the restless emotions, insecurities, blossoming loves, and conflicts - these young, beautiful and vulnerable girls will undergo an inevitable change through the passing of the summer.

László is a composer, and his second wife is an actress. The couple lives in love and cheerful, mutual understanding. Suddenly László feels unwell. The diagnosis is that he suffers from an incurable illness.

Between 11:50 and 12:00 noon, a crime is commited. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, we are propelled closer and closer to the truth of what exactly happened...and why.

A good husband and father of a 12-year-old girl, works as a driver for a wealthy family. Despite his seemingly peaceful nature, he too is capable of the most abject violence.

The film creates a precise balance between abstraction and figurativeness, for example, when rectangles suddenly become perceptible as windows due to a creaking noise and a movement.

A luncheon on the grass among the tombs. While the living are living, the voices of the dead are floating in the air. When lunch-time comes, the “Cimetière des Rois” (“Cemetery of Kings”), downtown Geneva, fills up with residents, workers, employees, students of the neighborhood. People come alone, in pairs, with friends or colleagues, to have a snack on the grass or to take a break on a bench. The living and the dead share a same space-time. Mixing contemporary Super 8 footage of people on the cemetery and sound archives of the personalities bored there, MIDI DANS LE CIMETIERE (NOON IN THE CEMETERY) is a short essay film, a kind of experimental documentary. If it was a painting, it could be a Vanitas, “a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death.”