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On 15 March 1921, Talat Pasha, a high-ranking Turkish dignitary, was shot dead in a Berlin street by a young Armenian. A few months later, Soghomon Tehlirian, his assassin, appeared before a German court. He faced the death penalty. Yet, during the trial, the victim gradually changed into the guilty party, and the accused was finally acquitted.
The Country Rat visits his friend the Town Rat, but finds that life in the great metropolis is rather too hectic (and dangerous - there's a live cat among all the puppet rodents!)
A Russian soldier returns from war service in Chechnya. Though greeted warmly by his family, he seems unable to adjust.
This audaciously dishonest spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Lucky Dickerson") was created piecemeal using lengthy sequences from Fidani's previous films. The premise has legendary gunslinger Django (Hunt Powers) recounting some of his greatest adventures to a rapt Wild Bill Hickock (Gerardo Rossi as Jerry Ross) in a saloon. The stories which Django tells are entire scenes from such Fidani films as Arrivano Django e Sartana... E la Fine! (1970), Inginocchiati Straniero... i Cadaveri non Fanno Ombra (1971), and Quel Maledetto Giorno d'Inverno Django e Sartana... all'Ultimo Sangue (1971). Fidani regulars Gordon Mitchell, Dennis Colt and Lucky McMurray also appear.
Prosper Bourrache, who has the gift of the gab, is natural born street vendor. Due to a mistake he gets involved in the burglary of a shady banker's house. In fact, the whole operation is a setup. But Prosper will finally get away with it, have the crooked financier arrested and pinch his girlfriend away from him.
A wordless story of an elderly lady who resuscitates a bean plant. Winner of Palme d'or at Cannes.
In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.
French soccer fans, celebrities and athletes retrace the exhilarating events of July 12, 1998, as France earned a historic win in the World Cup final.
It's the final of the giraffe football world championship. The 403 and the 504 are in the final. The referee gives the instructions and the cars rush in pursuit of the giraffe.
Sous le signe du lion is a Quebec television series comprising thirty 30-minute episodes, directed by Jean-Pierre Sénécal and broadcast in 1961. A two-season remake was broadcast in 1997 and in 2000. The original screeplay was written by Françoise Loranger. Hélène Pedneault adapted it in 1997 and Guy Fournier in 2000. The 1997 adaptation was directed by Maude Martin, and the 2000 by Yvon Trudel.
Faced with the daring and modern script, Radio-Canada refused to broadcast it at first, but changed its mind a few years later.