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In a supermarket parking lot, two shoppers push a shopping cart to their car. A helpful man approaches them. Friendly at first, his behavior soon becomes strange, invasive and aggressive.
A young marquis seduces a farmer's daughter and then leaves her while she's pregnant with his child. Many years later he comes back and seduces the girl's sister.
Nothing to do with Jean-Pierre Melville.
A sorcerer conjures an old witch and instructs her to seek a maiden. Said maiden is assigned with the task to lure a young traveler inside the castle. Upon his arrival, said traveler is exposed to all sorts of unpleasant surprises. Trouble ensues.
A visual interpretation of alagaupu (proverbs) used within Samoan funeral chants and speeches, utilizing imagery from the artist’s personal photographic archive.
Jude wants top surgery, Mom wants an “old lady pass” on the whole pronouns thing. As the two butt heads about gender, language, and body image at Monsieur le Butch’s al fresco salon, they both must navigate the hairiness of being seen.
In a small and remote boarding school lost somewhere within the Cantal heights, five teenagers are spending fall break with their jaded supervisor, Lena. But when they accidentally get cursed by an awful witch, hell unleashes and terrifying creatures of the french folklore starts pursuing them...
Adopting a photojournalistic approach, Alan Butler's series Down and Out in Los Santos aims to engage in a sort of social-realism for the software-age, documenting poverty and the lives of the homeless within the video game environment’s socio-economic hegemony.
This film is believed to be lost.
One day in December 1979, in Hersange, an imaginary town in the East of France, an entire class is missing and returns the next day as if nothing had happened. Was it a concerted action or a coincidence? A tormented principal, a policeman with a head for maths, and an unabashed teacher investigate in a creeping, equivocal atmosphere littered with false clues. How can an apparently minor event become a real enigma?
A man and his cigarette.
One of the last films Georges Méliès made. By now, he was under contract for his former rival Pathé, where he made a few of his most lavish productions, including this one. Here, Méliès performed in front of the camera as the Devil […]. His incarnation of Satan this time is a sprightly antagonist who kidnaps a princess by locking her in a cage and taking off through the sky in a dragon-pulled carriage. […]
A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".