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Construction workers denounce their working and living conditions in Montreal. In tune with its time, a political film that testifies Arthur Lamothe's militant cinematographic practice.

Since 1922, Boulogne-Billancourt cinema studios have welcomed the greatest actors, directors and technicians of French cinema and have given birth to many masterpieces.

Iranian student Emad and a French girl Caroline have been living together for a few weeks in a borrowed flat in Besançon, where the girl has a job taking tourists round the Victor Hugo Museum. Both know that they have no future together, since Emad intends to return to Iran. The trouble starts when Caroline tells Emad that she is pregnant and he, somewhat thrown off balance, tries to persuade her to have an abortion. The girl isn’t against the idea, but she keeps deferring. Over the next few days, during which the couple constantly argue then patch things up, something comes to light which sets their relationship on quite a different course.

Luc Lagier puts Alain Resnais' film back in its historical context and in the filmmaker's biography. He tells the story, then the development of what was originally intended to be a short documentary film and which turned into an unusual allegory. Composed of fascinating archives, including notably the correspondence between Duras and Resnais, this analysis of 'Hiroshima mon amour' manages to put the film in perspective while detaching itself from it. A rare and captivating work.

The democracy that the first president of Burkina Faso, Thomas Sankara, introduced was followed by almost three decades of dictatorship under Blaise Compaoré. With the inauguration of Roch Marc Christian Kaboré in 2015, Burkina Faso finally has a democratically elected president again. According to rapper, poet and activist Serge Bambara, the country is now in a transitional period. Sankara's democratic ideals have received fresh impetus, but what does the hope for a working democracy mean when it has already been systematically destroyed in the past? As 'Smockey', Bambara records socially-conscious rap in line with his political activism. Uncertainty awaits Kaboré's presidency and Smockey monitors it all.

Lise Dion appears in better shape than ever in "Le temps qui court", her 3rd career show directed by Michel Courtemanche and applauded by more than 365,000 spectators. In addition to explaining to us what she did during her absence from the stage which lasted 6 years, Lise gives news of Marcel and their teenagers... who, in principle, are no longer teenagers. Vacations in the South, technology, the passage of time, and the things you absolutely have to do in your life are among the topics she covers in an absolutely hilarious way.

Rose Bonbon, a small singer of light variety with a naughty and colorful imagination, is in the glue with Roger, a characterful brute who thinks he is a manager. Between shabby hotels and cheap restaurants, she meets the handsome Dubel, an impresario on the sidelines. He hires Rose at the drop of a hat because he has to replace Hermine Zibeline for a tour in the Paris region with the famous Billie Boys from Broadway.

I came, for a few days time to one of the strictest nuns order of France : the Cistercian Order of the Strict Observance. This film is the experience of an encounter with enclosed Cistercian nuns, it displays as introspective wondering. As the movies goes on, women's portraits start standing out also, questions formed about our relationship with others as well as nature, time and consumerism.

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.