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Canton of Neuchâtel, 1917 to 1933. A young watchmaker falls head over heels with a mysterious young woman. Jean and Anna get married, love each other madly and go through all life experiences together, supported by their happiness and friends at their side. Jean wants to invent a new waterproof watch, and the future looks promising. But Anna suddenly seems to suffer from a strange sickness which gets worse each day. Will Jean's love for her be enough to save her?
Manuel passes 18 months at Buchenwald before his return to Paris. He wonders even before his arrival who will have the patience and passion to listen to his narrative. He chooses silence.
Do we still believe in love when we are in the autumn of our lives? And how do we love? Through the crossed portraits of septuagenarians, the film questions the love life of seniors today. From André and Marie-France who scour the dating sites in search of a man to their liking to Ginette and Claude, who met in a dance hall and whose Ginette blossoms in her role of housewife always taking care of her man.
Short about an old lady, the painter Emma Stern, 85, who began devoting herself to art when she was in her seventies. The film won the Lion de Saint-Marc in Venice.
Sira, a former refugee, works as a translator for OFPRA (the French Office for the Protection of Stateless Persons and Migrants). She unscrupulously fleeces her clients, selling them fictions she creates to convince the authorities.
In the "Valley School", as the holidays approach, students' lives will be turned upside down by the arrival of a new teacher.
The maple sugar season is more than just a few weeks in springtime. Since the 19th century, in Quebeckers’ heart, it has been the time of the year during which family and friends come to together, to celebrate and enjoy a good meal.
The movie starts with a mysterious girl riding her horse into a tree. Then she's rescued by millionaire Max Topfer, who is startled to discover in her possession a video showing him being shot by a man he doesn’t know. Both the girl, who has total amnesia, and the tape appear to have come from the future. With the aid of bodyguard Helmut, Max Topfer tries to find out why a total stranger is apparently going to kill him on camera.
Nora disappeared for several months. One summer evening, she strangely reappears at a party with a certain Samuel. Camille, her best friend, comes to find her, wondering what way to behave. The night goes on, a trio forms and time stands still.
Le Temps des cerises is a sentimental comedy, full of charm, on the life of two beings whom everything opposes, but which chance brings together. He is a painter and out of inspiration. She is young, pretty, full of life, not very sure of herself. They have nothing in common except their humor, their charm, their need to create and their passion for painting. They will live a few days together and both will emerge transformed from this parenthesis.
4 stories. A spleen. Bitter looks. Between loneliness and disappointments.
Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, Le temps qu’il fait weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the echo of speeches that call to take the train of the new economy. By their simple attachment to a profession which gives them a living, the men and women of the film put up resistance to these slogans. Little by little, a radical rupture is emerging between economic thought and the movement of life. A break that shapes the present time.
It is with regard to the painting "Nude descending the staircase" that Alain Jaubert has chosen to evoke the work of Marcel Duchamp. It is 1913, in New York, and the work of this 25-year-old young man, which depicts different moments of the action of the same character, is causing a stir. Cubists do not recognize it as one of their own, and traditionalists see it as a dangerous iconoclast.
The story takes us from the dear Garrigue to the secondary school where Marcel is first ill at ease because he is a scholarship holder and because he went to the grade school (the other bourgeois pupils had probably a private tutor). A fight against a rich kid ,that augurs badly for what is to follow. (to be followed in "Le Temps des Amours" )
