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This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.
4 stories. A spleen. Bitter looks. Between loneliness and disappointments.
Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, Le temps qu’il fait weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the echo of speeches that call to take the train of the new economy. By their simple attachment to a profession which gives them a living, the men and women of the film put up resistance to these slogans. Little by little, a radical rupture is emerging between economic thought and the movement of life. A break that shapes the present time.
It is with regard to the painting "Nude descending the staircase" that Alain Jaubert has chosen to evoke the work of Marcel Duchamp. It is 1913, in New York, and the work of this 25-year-old young man, which depicts different moments of the action of the same character, is causing a stir. Cubists do not recognize it as one of their own, and traditionalists see it as a dangerous iconoclast.
Cats laying, moving, leading a kind of interlude directed by Anne-Marie Miéville.
A man who is lonely makes his last effort to end that loneliness the only way he knows how.
Using a Super8 camera, Henricks employed time-lapse photography to document the interior and exterior of his apartment. Inspired by the work of Virginia Woolf, this video uses writing as a metaphor to examine temporality and impermanence. Time Passes is part a series of works that explores one of the principle metaphors of video: the window.
Gus Mackinson, financial engineer at Bergsons, is in charge of the development of Goose, a predictive analysis software. However, by anticipating the future too much, Gus finds himself incapable of living in the present moment.
A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.
A writer has her alarm clock stolen after a sexual encounter.
Ben is a middle-aged diver, William is a teenager. Their world will connect for a time suspended moment, they will let go through their sorrow under the music’s salvating and liberating flow.
The time of a dance is about the day-to-day life of a young, Benin fisherman who is in the transition period between grieving the death of a loved one and accepting it.
The last episode of Pagnol's memories (see also "La Gloire de Mon Père" "le Château de Ma Mère" and "Le Temps des secrets") deals with the teenage years of Marcel. While always spending his Summers in his dear Garrigue, he is now on the way to the Baccalaureat. He 's got a good pal Lagneau (The Lamb) who of course infuriates the teachers when he "bleats"...
Via the New York Times: ""Le Temps Detruit" is a low-keyed, dreamlike recollection of the first year of World War II as recorded in the letters sent home by three French soldiers, each of whom was killed shortly after the "phony war" came to an end with the German offensive in May 1940. One of these was the father of the film's director. The two others were Paul Nizan, the writer and Communist, who became disillusioned with Marxism when the Hitler-Stalin pact was signed, and Maurice Jaubert, the composer who wrote the scores for a number of films, including Jean Vigo's "Zero de Conduit.""
Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.