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Aesthetic attempt in which intertwining forms, colours and dimensions are moving in such a rhythm that all landmarks are lost : are we in the world or is the world inside us? This film is a fleeting self-portrait, a projection of identity, of the human being and of his body in unexplored worlds such as space or the seabed.

Zoé, a pretty penniless girl, decides on the advice of her neighbor to embark on gallantry. After a brief failure, she meets a young boy, Jacques Lebreton who is about to get married. After causing the failure of this arranged marriage, she will have to play the role of wife of Jacques with his family, until the arrival of the uncle from America.

Between fear of success and a tricky break-up, Ludovic is beyond all hope as he is getting close to the 30's stage. His unexpected meeting with a sick child, Raphael, shakes up his daily life and his future approach. Together, they go after their dreams...

Mado works at a supermarket. At 56 years old, she needs the job, but after being forced to use a goofy hat, she escapes to visit her son.

The thoughts of a man who lives and films in his studio of images and sounds, disconnected from any social or family environment. “In a world in search of meaning, in love with men of action, professing speeches that are addressed to all, I make films that militate for disengagement, inaction, waste of time. Can we live like a flower, like a cicada or a cricket?” (Francis Brou)

For nine months in 1930, seven Bretons, lobster fishermen, were "forgotten" on a volcanic island by their employers, Normans from Le Havre, heirs of the last French whalers. Four employees would die on the spot. Their descendants today revive the memory of this human tragedy which also struck 42 Madagascans. Starting from a sordid social conflict, the documentary shows that the “Forgotten Saint Paul” mark the end of an era of “colonization”, a term rarely used for the French Southern Territories, but nevertheless close to reality. This is the story of the Third World, as its discoverer, Yves de Kerguelen, named it.

A documentary without comment that shows life in a shopping center during a year. It shows the center and the seemingly effortless ways it pushes humans to consume.

A kindly old man sends his grandson off to see the world. From the window of the train, the child discovers the problems plaguing this planet and imagines solutions to promote the happiness of children everywhere. A synthesis of Volume 1 of the Rights from the Heart/Droits au c÷ur collection, this animated film for five- to eight-year-olds puts the issue of children's rights in an international context.

Paul Otlet was a Belgian, *1868, died 1944, who perfected the Dewey Classification system as "the Universal Decimal Classification", in his lifetime alone totalling 17 million index cards of human knowledge.

Short film directed by Claude Cailloux for the French TV channel TF1 that marked Marion Cotillard's film debut.

Colour, perception and subjectivity merge in a film in which impressionistic paintings constantly dissolve into pure colours and brushstrokes.

A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.

John, a television director, is preparing a show on speed. A phone call from his girlfriend Sophie makes him leave the studio in a hurry. Ηe drives fast and quarrels with another driver. John is upset; he insults the other man and drives off. In the meantime, the producer of the show changes John’s editing. John’s assistant calls him at home but John tells him that they should talk later. John hears the sound of another car and looks out the window. We hear the sound of an accident. John shouts and runs out onto the road. Sophie has hit a pedestrian. She was on her way to tell John that they are expecting a child.

Tunisia, early thirties, the young and plump Bajou, lives modestly with his parents. One day after a flood, his father suddenly disappears. Thanks to his uncle and his cousin Marcel, he moves with his mother Oumi to work for the wealthy landowner Mr. Scali, a talkative and boastful man.