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Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive
Cecily Harrington, struggling along on a small allowance, wins a fortune in a lottery. She decides to travel rather than marrying her fiance Nigel Lawrence. A stranger, Manuel Cortez, comes to rent her flat and she falls in love with him, and they are married. For their honeymoon, they go to an isolated English college where she, unlike the audience, doesn't realize she has married a fortune-hunting Bluebeard with a few murdered wives in his past. The question is will she be able to repent in leisure her decision to marry in haste.
View the pace of life at the Monastery of the Most Holy Trinity in Notting Hill, home to a cloistered order of Carmelite nuns.
In a small apartment in Lisbon a young girl is looking to get her life together, while dealing with the pressure of living up to her parents' expectations.
When her marriage fails, a beautiful country girl heads to the waiting arms of her ex-lover and inadvertently puts into motion a threat that endangers them both.
A woman, a man, two cultures and years separating them: will Adriana and Mohamed overcome the prejudices of the world around them? A sincere love story in the heart of Southern Italy.
A poetic story about love and happiness between doc and fiction.
The comedy directed by Walter Krüttner.
Four Swedish volunteer soldiers are trapped in Russia. In front of them lies the front with enemy outposts and patrols, behind them the enemy minefields. Hope to return to their own lines decreases each day. Corpses of fallen, "dead of cold and hard as iron", forms the macabre landmarks in the winter landscape. Nearby is a burnt Russian village.
The story of Mariela Munoz, born Leonardo in the Argentina of 1943, who will fight for her rights as a male-to-female transgender and above all for her 17 adopted children.
This film takes us inside the world of cricket and the daily life of Montreal's Parc Extension - one of Canada's poorest yet most vibrant immigrant neighbourhoods.
A group of struggling artists, poets, and musicians struggle to survive in squalor without giving up their artistic ideals.
German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director.
Thandeka, a young Black journalist, lives in fear of Johannesburg's past. She's so troubled that she can't work, and her relationship with her 13-year-old deaf daughter Mangi goes from bad to worse. One day Me'Tau, an elderly woman, arrives at the newspaper's office. Ten years earlier, Thandeka witnessed the murder of the woman's daughter Dinéo by the secret police. Me'Tau wants Thandeka to find the murderers and Dinéo's body so that the girl can be buried in accordance with tradition. What Me'Tau couldn't know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Meanwhile, Mangi secretly prepares a Zulu love letter: four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won't give up the fight.
This documentation of a Kortner stage rehearsal shows in detail and fascinatingly how Kortner developed psychological tensions with meticulous precision in linguistic expression and gestural construction.
Judge Harris is invited to an orgy with his wife Mara and discovers that the sight of a woman wearing a coat of leopard fur turns him on in an animal way. And from now on he can't get enough of women in fur.
