Regarder I Want Y

Louisiana, 2013. French is on the verge of extinction. Two filmmakers, David Simard and Christian Fleury, continue the investigation they began the previous year on its imminent death with "Everyone Wants to be a Cajun". Two intellectuals, who both hold the French fact in Louisiana dear to their hearts, face each other in a virtual dialogue to explain the situation. One would like to see the rise of a new united and modern francophone community, while the other represents the majority view of those children who are today fully Americanised. The social and political contradictions that have historically divided them - and that continue to divide them - reveal themselves in the space between their narratives. To complement the dialogue, members of the community, helplessly witnessing the demise of French, add a poetic touch to the film by providing us, with a hint of nostalgia, the last traces of the dialect their forbearers spoke.

Thanasis (Giannis Gionakis) succumbs to the pressure of his wife (Kati Lambropoulou) and buys an old car that turns out to be a shame. Until he can get rid of it and take back his money, there will be a number of misunderstandings and confusions, comic situations, and emotional fools.

A mature woman, a widow with a daughter of marrying age, is trying to rebuild her life, but all the men she approaches are interested in her daughter and not herself. After several failed attempts, she eventually manages to find a man of her age.

The policeman, Shaaban, brings the thief Hamed, who is accused of stealing a bag full of jewels from the court, to a Cairo prison. However, Hamed manages to escape and Shaaban stays on his tail.

Taulant is a 4 year old only child, who is lonesome and wants a sister. However, despite his request, his parents keep ignoring him. Slowly, his parents start listening to him more and decide to consider his request more seriously.

If you want it all, you cannot be distracted by the illusion you’ve created. Only when the mind is silent you can see clear enough to enjoy your life and forget about your desires. Your desires are irrelevant.

Rémy only wants one thing, and that’s to die. He does his best to commit suicide, until he has to save the life of a frog.

Having been happily married for ten years, Gerda Wagner, devoted mother and housewife, suddenly gets it into her head that she would like a career as a pop star. She had singing lessons in the past and her voice is still beautiful. A chance meeting with the idolized Italian singer Fabiani, revives her stage fever - much to the annoyance of her husband Gustl Wagner, head of the records section at a department store.

Twelve-year-old Oliver Watson’s got the IQ of a grilled cheese sandwich. Or so everyone in Omaha thinks. In reality, Oliver’s a mad evil genius on his way to world domination, and he’s used his great brain to make himself the third-richest person on earth! Then Oliver’s father—and archnemesis—makes a crack about the upcoming middle school election, and Oliver takes it as a personal challenge. He’ll run, and he’ll win! Turns out, though, that overthrowing foreign dictators is actually way easier than getting kids to like you. . . Can this evil genius win the class presidency and keep his true identity a secret, all in time to impress his dad?

Review of the 35 year long road into the Latvian punk rock legends and pioneers "Inokentijs Marpls" band members. The way of life and ideology change between 1985 and 2020.

Hitomi ran down to a local city with her affair partner Suzuki. Daisuke, a regular customer of the soba shop where she got to work, fell in love with a bedridden wife, Sayoko, who looked a lot like her when she was young, and eventually regained her feelings of love for her wife. The relationship between Daisuke's son and his wife, Koichi, and Sanae has recently become jerky, and Sanae has finally left home. On the other hand, Hitomi is shocked to find out that Suzuki has a photo of his wife and children.

If the streets could talk, what would they say? Aurora is a sad and lonely street in a big city. On a day of heavy rain, she recalls her trajectory and dreams of the future and asks herself: is it possible for a street to die?

She got her eyes and smile from her mother. Did she get her upturned nose from her father? No one who knows the answer, because 13-year-old Jaël is the child of an anonymous donor. She'll be allowed to make contact with him when she turns 16, but she doesn't want to wait that long—Jaël wants to know right now who her father is. While she’s waiting, she shares with us her fantasy father— imagine John Travolta with a stubbly beard—and she explains why she wants so much to meet him: “The most important thing to me is recognition.”

Tarô Araki's directorial debut; he starred alongside Kyôko Godai, occasional scriptwriter for Hisayasu Satô also appearing.

An everyday story of Alternative Society folk, beginning in 1969. It traced the developing relationship of three people from then until present 1978. Frank, a radical social worker just out of mental hospital after a nervous breakdown, was being nursed back to health by Linda, a hairdresser, in the absence of his 'girl friend. Joanna, on a social work project. By the second scene. Frank and Linda were married with a baby daughter, and Frank had opted for a cushy teaching job in a middle class school and even betrayed his Left-wing idealism to the point of joining the Labour Party.

Makoto Kitano reports on real-life ghosts and psychic phenomena!

The homeless Polycarpe steals a rifle from some careless society sportsmen and goes on a mindless shooting spree. (MoMA)

In this costume epic, the last days of Julius Caesar are chronicled.

In an effort to connect with his newly-out daughter, J. Reuben Appelman entrenches with her favorite band, an all-female, all-queer pop sensation named Sick of Sarah, chronicling their tour in a poetic, emotional documentary about fatherhood, fame, and falling apart.

A body and a performance at night in the desert, illuminated by the headlights of luxury automobiles parked in a circle. We become familiar with one of the vehicles' occupants, a man, who was accompanied by the lingerie-clad master of ceremonies and the fit, minimally-clothed dancer.