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Christmas is coming, and Linda knows exactly what she wants as a gift. For a start she needs a father. Then - a mother. And if you just be lost in daydreams - little brother or sister. Linda is 9 years old orphan. She understands that Santa Claus will not be able to fulfill her wish. And if she needs a father, she should find him by herself! ..
In 1990, near the height of the AIDS crisis in the U.S., John Fleck was attacked by the U.S. government as one of the “NEA Four,” when funding to three queer artists and a prominent straight feminist was reversed by the National Endowment for the Arts. His work was introduced on national television as “homosexual skits.” A sit-down interview with Fleck cuts between archival video of performances spanning four decades and present-day vérité footage as he rehearses and performs in New York and California for an NEA Four 20th-reunion performance.
Jonas intercuts scenes of the Nova Scotia countryside with images of a studio set-up reminiscent of a di Chirico painting. The soundtrack includes both music and spoken excerpts from a journal Jonas kept while travelling in Nova Scotia. I Want to Live in the Country ultimately deals with observation and fantasy, living in the country, and the stifling aspects of the city and one's art.
Professor Chardin has just killed a man. Before calling the police to turn himself in, he burns some leaves and a notebook in the fireplace. Secret agents in the street with listening devices flee when the police arrive. The professor refuses to be defended by a lawyer and to explain himself, but his friend Professor Carter and his wife come to his support and he agrees to explain his crime of inventing the H-bomb, the secret of which was stolen from him by his collaborator Rossi at the very moment when he had given up his research, convinced by Albert Einstein's pacifist plea and other personal circumstances.
This video is about puberty, changes, and sex safety. Hosted by two teens (Z Wright and Stephanie Yu), this hour-long program (which is also airing as a 3-2-1 Contact special this month on PBS) uses explicit animation and frank discussions with high-comfort-level sex-education counselors to explain how both boys and girls mature physically — and how they’ll want to act once they do. The kids on camera ask questions about everything from wet dreams to menstruation to sexual intercourse, including safe sex. Intended for kids 8 and older, the program also defines some sexual slang that grade-schoolers may hear on the playground, but words that double as curses are discreetly left out.
Joan is a boy trapped in an obsession: spying on his neighbor every day, to the point of falling in love with him.
This is a psychological thriller involving two young men. Barry and Stan are at Barry's house when Barry insists that Stan should add some ice from the icebox to his drink. Stan returns speechless as he finds, wedged in the icebox, two little boys, bound and gagged.
Musician wants to become a musician... But he is just a looser.
A girl with bone cancer tells her story to the world through a radio DJ.
Renowned fitness instructor Tamilee Webb has used groundbreaking scientific research to find the best possible workouts for each part of the body and every level of student. By going into the lab to study each muscle group and test every exercise, Tamilee has been able to develop fitness routines that will provide the maximum benefit for your body, inside and out.
“How old do you want to be when you die?” is a question that someone once asked me.
#5, transitions, 0$, form
Oichi the Blind helps a woman escape the clutches of a high government official to go off with the man she loves. The official puts a reward on her head of fifty gold pieces and soon a menagerie of bounty hunters are after her skin. Three of them band together to accomplish this, one an expert swordsman, another a huge judo master and the third is deadly with a chain. To escape, she heads for the fishing town of Itso but soon comes face to face with Sankuro, the swordsman...
One relationship. One love. One life. Two angles.
The film is set in Lithuania after the Second World War. It shows dramatic events in a small Lithuanian farming community, where people are split between the Soviets and the "brothers in the woods", who are fighting to defend their land from the Soviets after the end of the Second World War.
The stations of a breakdown: the seaside, a winter landscape somewhere far up in the north, a hospital room. Kühn’s diary film is constructed from a series of snapshots and stolen moments of intimacy between a man and a woman, a relationship threatened by the hardships of mental illness, the fragility of love, and the desire to leave and the desire to stay. Is it the end or only the beginning? Delicately weaving in and out of different emotional registers, the camera itself becomes a kind of protective tool that simultaneously shields against the pain of living and opens up a space for self-reflection. (David Perrin)
Milan, Italy, now. Ray is at his favorite bar, where he waits for his friends, Scarpa and Il Divo. Ray is celebrating his 70th birthday, but the bartender – as anyone else in the world – does not care at all. Scarpa and Il Divo – both 70 years old – arrive. They have a special present for Ray. And a plan. The present is a gun, the plan is to go to Rome and achieve something epic, something everybody will talk about.
Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years...
Lucky Millinder and his Orchestra performing "I Want a Big Fat Mama."
Benitez pretends to be a toreador and his friends decide to pull a prank on him.