Regarder I Want Y

Annetta, of Sicilian origins, is annoyed by the different treatments and freedoms reserved for men and women. Because of her rebellious attitude, the girl is locked up in the house of her relatives where she suffers an attempt of violence by her uncle. After returning to her parents, she finally gets married to her beloved Nicola.

Calino wants to live the cowboy life and travels to America to see the West.

Ana and Álvaro have been trying to become parents for years and that circumstance has broken the relationship and worn down the bond. Ana then begins to travel on the edge of anguish and Álvaro decides to use a resource that he had not imagined before: traveling to the North of Argentina and adopting a child, beyond the law.

One year after losing his wife, 82-year-old Norman meets a woman online. To entice her to visit, his grandson helps him shoot a video presenting his home.

A woman is sent to Mexico to kill the person who presumptly killed her father.

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

A blissful winter's day, a young squirrel attempts to find escapism in walking the tree top branches.

An American advertising tycoon chooses a weekend therapy clinic as the ideal place in which to assess the various candidates for the vice-presidency of his firm.

A capsule from Chantal Partamian’s "Katsakh" project, experiments on and with film originally published on Instagram. “Katsakh” means vinegar in Armenian, in reference to the vinegar syndrome, “the chemical degradation that occurs with cellulous acetate film”.

Female gospel group the Angelic Gospel Singers have been a mainstay in the gospel community for more than 50 years. Their signature blues-influenced sound continues to inspire through this unforgettable compilation of live performances. Among the infectious numbers included here are "He's My Ever Present Help," "I've Got the Victory," "Sweet Home," "If You Can't Help Me" and "It Could Have Been the Other Way."

For a comedian, when life sucks, the material’s good. If life gets really bad, that’s even better. If it’s completely horrendous then it makes for a great show. This should be a great show!

A privileged teenager, disillusioned with the hypocrisy he witnesses in his small town, forms a bond with a lonely leper and a mentally unstable homeless woman.

Caught in the tensions of the returning Pierrot, an ex-con, and the neighboring outlaws, Coralie attempts to distance herself from an ambiguous if not tormented past. Set against a busy highway, the butting houses dominated by a boss loosing sight of his operation are suspended as an anarchic surge approaches.

A screen adaptation of Lally Katz's one-woman stage show. One of Australia's most acclaimed playwrights, Lally Katz made her acting debut – playing herself – in Stories I Want to Tell You in Person, which she wrote for Belvoir St Theatre. Instead of the show they asked her to write, Katz took her commission and spent it on fortune-tellers in New York, and wrote a play about that instead.

'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.

Shot on Super 8, Cana Bilir-Meier's film portrays a group of migrant teenagers at the Olympia Shopping Center in Munich, where nine young people were killed in a racist attack in 2016. Beside their daily explorations, the teenagers restage scenes from the theater play Düşler Ülkesi (Land of Dreams). The premiere of the play in 1982 was overshadowed by a bomb threat. The contradiction in the film title of wanting to predict the past is a reference to the continuous experience of racism, but can also be read as a playful suggestion to break out of habitual patterns of thought and behavior—conveyed in the film through YouTube comments on Childish Gambino's song Redbone.