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Mark Borchardt and Mike Schank, the stars of AMERICAN MOVIE, host George Romero's classic NIGHT OF THE LIVING DEAD from lawn chairs parked in a suburban front yard on the northwest side of Milwaukee.
A young woman confronts her boyfriend to discuss the future of their relationship — on her own unique terms.
The film is part of the Guardians of Productive Landscapes series and a sequel to 'Abraham and Sarah I: Creators of a productive landscape'. A Tigrean farmer and his wife, who host pilgrims to a festival at the Gundagundo monastery, have gained the biblical names Abraham and Sarah. We see Sarah and other women prepare food and drink for the pilgrims, while Abraham and other men erect a shelter. At dawn dozens of pilgrims descend the steep escarpment, eventually arriving at Gundagundo where celebrations are in full swing. We witness highlights of the festival, and the pilgrims' return to the homestead of Abraham and Sarah. Here they receive food, drink and shelter, and sing the praises of their hosts. At midnight visitors arrive with an old, sick monk. Before the guests depart next morning, a monk thanks and blesses Abraham and Sarah.
Palma, 1984. Marçal is a blind young man. He helps his father with the management of their own inn, Hostal Orión. When Marçal meets Luz, the new employee, he feels strongly attracted to her. When the night falls, Marçal walks around the corridors, searching for acoustic thrills coming from the inside of the rooms. Luz and Marçal will start a special relationship based on a mutual complicity and on a not-conventional intimacy. However, their bond will bring unpredictable consequences for them.
When a man stops at a motel one evening in 1961, his tormenting behavior drives one of the people present at the motel to remember his experiences in a concentration camp during WWII.
American Hostage pulls back the curtains on a terrorist plot centered on a group of terrorists holding two American soldiers hostage on U.S. soil. They demand the release of all prisoners of Guantanamo Bay or they will kill the soldiers.
You have probably seen it before and never even noticed. Metal bars dividing public benches. Perhaps tiny spikes sticking out of a railing or half wall. These are examples of a form of city planning that the general public has coined as hostile architecture. Hostile architecture, sometimes called defensive architecture, is a method of urban design that generally discourages the use of spaces in any other way than the intention of the owner. While at first glance this type of space design might seem logical it has a deep-rooted hatred underneath.
Phony doctor John (Kim Sønderholm) is busy kidnapping, murdered and removing vital organs to sell on the black market. He gets into hot water when he delivers a faulty kidney and has mere hours to find a replacement.
Poetic short about autumn in Norway.
In an attempt to cure his loneliness, a filmmaker embarks on a curious odyssey through London, searching for human connection.
A short film by Charli Rogers
Filmed with a night vision infrared camera, a hunters’ lair and a derelict house inhabited by bats set the scene for reflections on the link between humankind’s exploitation of the natural world and the outbreak of new virus pandemics.
An Airbnb host discovers an insidious spirit occupying her condo.
A girl in captivity plots to get revenge on her captor.
The story of Felipe Pugoy, a troubled inmate who, with his gang, instigated a hostage crisis in the Davao Penal Colony that led to 21 deaths in 1989.
A man becomes the target of a bizarre kidnapping and discovers that his kidnapper is someone who is particularly close to him.
A working iteration of the project "business as usual : hostile environment". Originally co-commissioned with Glasgow Sculpture Studios as part of Event Scotland’s Year of Coasts and Waters, the project was conceived to explore Glasgow’s Forth and Clyde Canal as both a literal and poetic route through which to reflect on the role of waterways in the voluntary and involuntary movement of people. Reworking aspects of the new film at speed and in light of the Covid-19 outbreak, Whittle powerfully incorporates archival footage relating to the UK’s Windrush scandal as well as material highlighting the role of immigrants in the NHS as they tackle the virus, foregrounding how political and ecological climates intersect and shape one another.
