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An unemployed man finds an abandoned baby one night. A journey that will get him out of a difficult situation.
Grace is the president of Zogbeland's wife. She plans the murder of her husband to get the presidential throne
A young man from Provence returns to the country after the ruin of his Parisian business. Thanks to his brave uncle from Arles, he finds his pretty cousin who never ceases to love him and who offers him her heart and her fortune.
Popolka takes advantage of the absence of his shrew of a wife to indulge in the delights of single life. His manager showers him with favors because he is in love with a young woman whom he believes to be Popolka's wife. When Madame Popolka returns, the situation becomes confused...
A man is engaged to be married.But after getting a phone call from a wronged woman who wants revenge on her husband, he lands up consoling her in bed, and then consoling the mistress of the husband as well.
"Alice Guy-Blaché liked Feuillade's scripts, and one of them, Le coup de vent, was filmed by Etienne Armaud in 1905. Two years later, Alice left Paris to follow her husband, who had just taken over the Berlin office of Gaumont, and she persuaded Gaumont to let Feuillade replace her. From 1907 he was in charge of hiring directors, buying scripts, choosing stars and at the same time directing his own films." From Decades Never Start on Time: A Richard Roud Anthology
There are four of them, they were enthusiastic about the idea of diverting images from salvage films - each one worked on different sequences; the whole put end to end gives a film full of graphic richness, freshness and humor.
A crime was committed by the Trembleur band who specialized in jewelry theft. The Berlin police are on the trail of the mysterious leader. A policeman acts as a member of a rival band. The bandits are trapped in a suburban villa.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
In Paris, a bewildered young man confides in his barber about an unusual encounter.
From 1970 to 1993, the Federal Intelligence Service and the CIA jointly eavesdropped on encrypted communications from more than 100 countries. This is proven by previously unpublished documents written by leading BND and CIA employees.
While Achille sinks into despair after losing his job, Jeanne has an affair with a conductor.
