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The story of Kevin Arnold facing the trials and tribulations of youth while growing up during the 1960s and 70s. Told through narration from an adult Kevin, Kevin faces the difficulties of maintaining relationships and friendships on his enthralling journey into adulthood.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
Peter Couchman presents this story, which documents the four days leading up to the overthrow of the Philippines Marcos government in 1986.
A gust of wind leads a man on a merry chase through the city, leaving a trail of destruction in his wake as he pursues his errant hat.
In the Yamal peninsula, in the northwest of Siberia, the Nenets live to the rhythm of seasons that are now out of order. Faced with increasingly mild winters and an unstable ice cap, these nomadic reindeer herders are forced to delay their transhumance, caught between a food that is drying up and the risk of drowning in the Ob River. Elsewhere in the Arctic, signs of global warming are mounting.
Pneu is a French rock band consisting a drummer and a guitarist who write their own songs then play their own concerts.
This is a recording of a movie discussion. This discussion, shown live in German television on November 16th 1978, is framed by two screenings of Huillet/Straub's movie »Toute révolution est un coup de dés«. It's first shown shortly after the discussion's participants have been introduced, a second time after the end of the discussion. After the movie ends the program cuts back to the studio for a short time, showing the guests as well as some technicians talking whilst the credits of the TV-program enroll.
Two friends, one former top chef just out of prison and one top sommelier with an alcohol problem, struggle to get their dream restaurant off the ground.
In this fictionalised account of the Great Train Robbery, career criminal Paul Clifton plans an audacious crime: the robbery of a mail train carrying millions in cash.
Victor Genovés, an influential businessman, is blackmailed: if he doesn't agree to pay a large sum of money, the self-styled Midas favorites will kill a person at random at a designated place and time and add a new victim periodically until they achieve their goal. How many deaths will he be able to carry on his shoulders?
A coming of age story set in the late 1960s that takes a nostalgic look at a black middle-class family in Montgomery, Alabama through the point-of-view of imaginative 12 year-old Dean. With the wisdom of his adult years, Dean’s hopeful and humorous recollections show how his family found their “wonder years” in a turbulent time. Inspired by the classic series of the same name.
Rich, successful Bryce meets beautiful Lissa at a bar one night and invites her back to his house, not suspecting for a moment that Lissa isn't really who she seems. What unfolds next is a dangerous, tangled web of double-crosses and seduction.
An American low-budget action film celebrated an unexpected worldwide success in 1988: "Bloodsport". With its, the world of film fans and martial arts cinema discovered a new idol: Jean-Claude Van Damme. In the 1970s there was Bruce Lee, but at the end of the 1980s a Belgian won the day. Van Damme was a karate master and had unparalleled strength and flexibility. For ten years he was one of Hollywood's hottest action stars. But excessive overconfidence and drugs bring him down again. At home in Europe he becomes a laughing stock on talk shows. Only with "JCVD" does he manage to get back on his feet, playing his character with perspective and self-irony, but without ever giving up the reputation that his action films brought him and which has been a cult for several generations. The highs and lows of his eventful life are told through archive footage and contributions from people close to the popular Belgian actor.
The lives of three female assassins take a sudden turn when their charming boss lures them into one last job. They soon find themselves thrust into a bizarre situation involving a psychotic hit man, a grizzled trucker and a delusional line cook.