Red White And Blue

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

1938 German adaptation of the Snow-White and Rose-Red fable.

A hard-core socialite turns over a new leaf after spending time with a less fortunate family.

Hu Jie is a prodigious independent Chinese filmmaker who has produced and directed thirty or so documentaries. Also a master of wood engraving, Hu Jie breathes new life into the expressionist tradition of Käthe Kollwitz. In his works — including those produced in Paris for this film — Hu Jie recreates terrifying moments of organized crimes against the Chinese people during the famine of the “Great Leap Forward” and the “Cultural Revolution”. Bertrand Renaudineau’s and Gérard da Silva’s film offers Hu Jie his first chance to tell how he was a wood engraver before becoming a filmmaker; how, he freed the “soul of a young martyr”; and how his prints and documentaries have helped convey the experiences of the Chinese to people all around the world. (René Viénet)

Through the use of a Time Machine, Casper the Friendly Ghost gets transported back in time, In the stone-age, Casper frightens cave-men and women. Robert Fulton's steamboat makes a successful first trip when Casper's ghostly form frightens it into action. Casper assists Paul Revere on his famous ride when Revere's horse, frightened by Casper, ceases to balk and breaks into a gallop. George Washington, crossing the Delaware River, is sped up by Casper's appearance, and Casper becomes a hero by besting the British Redcoats.

Chronicles the love life of a man, Zhenbao. He has a steamy fling with the wife of a friend, the saucy and exciting Red Rose. Even though he feels happy with her, he knows he will not end up with her. To maintain his reputation, he marries an antiseptic, frigid but classy lady of a prim and proper background. Dissonance abound when he finds his bride irritating.

A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."

Snow White and Rose Red give shelter to a bear who reveals himself to be a prince under a spell cast by a wicked dwarf.

Monarchist Vasily Shulgin and communist Friedrich Ermler, once these two powerful heroes personified Russia, torn into two irreconcilable ideological camps.

A promotional film for United States Savings Bonds

Director Mike Figgis (Stormy Monday, Leaving Las Vegas, Time Code) joins musicians such as Van Morrison, Eric Clapton, Jeff Beck, and Tom Jones, performing and talking about the music of the early sixties British invasion that reintroduced the blues sound to America.

The movie starts with the tough lives of the aforementioned characters in a military school, showing friendship and even competition among them. But the lives of the young cadets changes when Dutch soldiers suddenly attack their camp, tearing them apart. With limited weaponry and forces, they decided to unite to fight against the Dutch and defend their freedom. Combining action, drama, humor, romance, human tragedy and strong personal stories, the movie is aimed at inspiring the new generation with the spirit of the generations before them who fought and sacrificed themselves for the freedoms Indonesia enjoys today.

Told by a U.S. Army colonel and his wife, this vintage Western set in post-Civil War Texas chronicles the exploits of the all-black 10th cavalry regiment, which was formed in 1871. Cesar Romero plays the unit's commander.

1963. USA. Directed by Elliott Erwitt. 25 min. In Elliott Erwitt's Red, White and Bluegrass, the photographer's signature warmth comes through in candid moments capturing the homespun charm of bluegrass musicians in rural North Carolina. Screened at the Museum of Modern Art in New York on July 1, 2017 as part of "Magnum Shorts: American Stories". Accompanies "Beyond the Frame: International Cinema by Magnum Photographers."

White King, Red Queen is a Russian film. The composer Isaak Schwarz won a Nika Award from the Russian Academy of Cinema Arts and Sciences for the film's music.

When a mysterious terrorist declares war on white nationalist cops, he starts a war that will tear the country apart.

"White, Red and Green Lights" opens with a blank white screen. A performer enters, and the viewer realizes that the camera is placed above the scene looking back in space toward the floor. The performer brings in fluorescent light tubes and places them on the floor horizontally near the bottom of the screen. This positioning corresponds to the foreground in the filmed scene The lights appear to be black since white is black in negative. The film switches to color negative and the performer brings in both red and green fluorescent tubes. These are also placed near the bottom of the screen. Finally he moves the red and green lights to the side edges of the screen and the film ends with red and green lights running up the sides of the screen.

As the 2024 elections approach, Russian interference in American politics – through spies or agents of influence – is a troubling reality. Vladimir Putin is counting on Donald Trump’s victory to weaken support for Ukraine. Why does Trump almost always support Russia? Is he compromised? During his presidency, did he betray the United States in favor of the Kremlin? And why has the Republican Party shifted its stance toward Russia? Answering these questions means shedding light on a labyrinthine espionage and manipulation operation. Still ongoing, it began forty years ago, during the final years of the Cold War. Back then, Trump was merely a real estate developer, and Putin was a young KGB agent. This operation contains many dark areas, but some hold pieces of the puzzle. A former KGB leader, infiltrated “illegals,” a former Trump advisor, and former senior officials from the CIA and FBI, as well as a former prosecutor, provide testimony. . . . [taken from Nilaya Productions]