Qui A Tué Michael Jackson

French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

FBI Agents Bullit and Riper investigate the murder of a young dancer called Pamela Rose, found dead in her motel room in Bornsville, a small american town. Despite their differences, they must team up: the local police is hostile and they can only count on themselves to solve the crime. They meet Ginger, Pamela's best friend, and discover soon enough she knows more than she says.

Isabelle, a beautiful nursing student, is starting her internship at a prestigious hospital. She meets Dr. Philip there, feels atracted to him from the beggining and starts suffering from strange fainting; so he calls her Bambi: her legs don't support her. Patients mysteriously start to dissappear from their rooms; so Bambi and Dr. Philip start a cat vs. mouse paranoid game, in order to catch the probable killer.

Marie-Josée Saint-Antoine, a supermodel from Quebec living in New York City, was stabbed to death on June 18, 1982 in her Manhattan apartment. The New York City Police Department had little to no clues surrounding the case, but one suspect did stand out: Alain Montpetit, a major television star in Quebec. Forty years later, a team investigates the case in an attempt to understand what happened to Marie-Josée.

There is what you see, what some people want you to see, and what you don't see. Never has France known such a concentration of private media. A few billionaire industrialists, owners of televisions, radios, newspapers use their media to defend their private interests. To the detriment of information of public interest. By hiding what is essential, by magnifying what is accessory, these media shape, orientate, hysterize for some the debate. With the complicity of certain political leaders, who willingly accept it. Mediapart and Premières Lignes tell you what goes on behind the scenes in the media.

For three months, the teams of Grand Angle investigated the fall of François Fillon. The right-wing candidate was the favorite of the presidential election. Was he the victim of a conspiracy? From a black cabinet? Settling accounts within his own camp? Has not he also been a victim of himself? The main protagonists of this incredible series have agreed to come back behind the scenes of this descent into hell. Headliners on the right, members of the campaign team, friends, enemies.

On the Côte d'Azur, a beautiful adventuress and a strange German tourist set themselves the courteous challenge of discovering a war treasure lying at the bottom of a bay. But Basta, an old original who alone knew the location of the wreck, is murdered. And Pitou, the jovial nightclub owner, is determined to get his hands on all the loot.

Why did the Roman Empire, which dominated Europe and the Mediterranean for five centuries, inexorably weaken until it disappeared? Archaeologists, specialists in ancient pathologies and climate historians are now accumulating clues converging on the same factors: a powerful cooling and pandemics. A disease, whose symptoms described by the Greek physician Galen are reminiscent of those of smallpox, struck Rome in 167, soon devastating its army. At the same time, a sudden climatic disorder that was underway as far as Eurasia caused agricultural yields to plummet and led to the westward migration of the Huns. Plagued by economic and military difficulties, attacked from all sides by barbarian tribes, the Roman edifice gradually cracked.

An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.

Neandertal man disappeared abruptly 30,000 years ago. Who was that "other" man and what is the most plausible hypothesis leading to his extinction? An investigation using all current knowledge available tries to answer these questions.

20 years later Melvil Poupaud returns to his short "Qui es-tu Johnny Mac?" and replay the story of an alcoholic detective and a killer.

Mais qui a tué Alfred Hitchcock? is a variation of Alfred Hitchcock's Cinématon hors collection directed by Gérard Courant on 14 May 1972 in Cannes (France), of which he has transformed the image frame.