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Mohsen teaches French at the University of Tehran, and Hassan is a photographer. Mohsen and Hassan are also lovers, and in Iran they live in fear, as homosexuality is punishable by death. Tired of denying their love, Mohsen and Hassan flee Iran to head to Paris, where they'll be illegal aliens but can at least live openly as a couple. To avoid arousing suspicion until they arrive in Paris, Mohsen and Hassan keep their distance while traveling, and during a train stop, Mohsen helps a sixty-ish women, Yolande, with her luggage. The two strike up a conversation and she clearly enjoys his company; over dinner, she offers to help him find work in town and let him stay at her apartment. It's clear to Yolande that Mohsen is an illegal immigrant, but she doesn't realize that he's gay, and he finds himself wondering if he should stay with Hassan or live with Yolande, where he would not have love but would enjoy safety, security and could easily become a French citizen through marriage.
I came, for a few days time to one of the strictest nuns order of France : the Cistercian Order of the Strict Observance. This film is the experience of an encounter with enclosed Cistercian nuns, it displays as introspective wondering. As the movies goes on, women's portraits start standing out also, questions formed about our relationship with others as well as nature, time and consumerism.
Manu has been incarcerated for a year in a prison in Marseille. Back in Nantes, his hometown, he finds his friends and family that he left overnight. How will he reconnect, find the bonds that united him with these people whose lives have continued without him?
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?
1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.