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Modern Americans think that the movies learned to talk in 1927 when Al Jolson opened his mouth in THE JAZZ SINGER, but sound pictures had a much longer history. Edison envisaged combining the phonograph with motion pictures even before they had been perfected and there is a test sequence from 1895. By the time this 'phonoscene' had been made, Alice Guy had been directing a series of them and there was a series in production in Germany, too. Yet true synchronization remained a problem, what with records wearing out and film breaking until the perfection of sound on film itself.
Gaby is happy. After eighteen years of work, he is a flourishing mechanist. But one day, the mechanic of his life is out of order. He discovers that his assistant is in love with his wife. This one runs away with her daughter in law. So, Gaby's friends imagine a gambit to find them, at the moment where father and son enjoy pleasures of single life.
M. Dona appears in this Alice Guy film where he performs the title song.
Eight years after May '68, they are all in their forties and all met to live in a small village in Provence: Julie, Simon, Alice, Maria, Gustave, Claude and Claudine.
When the song of men mingles with the flight of birds…
A conference given by Gilles Deleuze on the act of creation, taped on video.
Shawn is a young gay teenager who discovered his sexuality. During a party with his best friend Mandy, he met an other boy, Ted. A love story between the two boys begins while Shawn's parents are not aware of the sexuality of their son.
Clarisse cheats on her husband with a vain insurance agent. Zamore, the cuckold (and a magician) wouldn't let his wife be stolen so easily. Poiret and Serrault play the rivals in this twisted love story. A poetic absurd fantasy.
The owner of a casino and the owner of a luxury hotel in Deauville are eternal rivals.
Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!
Kumba is a young Ivorian mother living alone in Paris with her two children, Adja (7) and Bakary (8 months). One day, she is asked to replace a cleaner friend at short notice. Kumba has to choose between working and caring for her small son. She goes to work, worried sick. Her little boy is left alone at home.
Kamel, a young man from the french ghetto, near Paris, is coming back to France. He was arrested for dealing drugs, he spent five years in jail and was banned from France for two years. He tries, with his family's support, to find a job and live a normal life. But nothing's normal in the ghetto.
Jacqueline is hospitalised in a long-term care unit. Her carer, Kani, has followed her from her home to the hospital. Over time, the two women forge a singular relationship. Next to Jacqueline’s ailing body and impaired memory is Kani’s solid stature and zest for life. Jacqueline is my mother. All three of us are in the same boat, this film is our crossing.
Solo show by Philippe-Audrey Larrue-St-Jacques: an intelligent, different and unique show that he offers with his deadpan, sometimes caustic humor and his appearance of a funny, slightly offbeat dandy.
A parody of feminist criticism on found footage covered by humoristic chisellings, signs or hasty figurative elements. Sometimes, chisellings are fine, and sometimes they are treated in large shots (razor tears, acid, cutting the film itself, wide spraying, thick stamps). A bedsheet is used as the final screen from which various women's evocations are represented.
Experimental Short Film
The film delves into cosmic horror as “The Samhain Swim Team” invokes an unspeakable darkness from the depths of their Olympic-sized swimming pool.
