Put It I

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern.

One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

A middle aged woman is an accountant and becomes addicted to gambling. She steals over 800 000€ from her customers and loses everything to the local gambling company on the small island where she lives.

He and She are at home. Evening. Music. Wine. Coziness. At first glance, this is an ideal relationship. So perfect that you involuntarily ask: "Is this real?"