Promised Lands

Denmark, 1755. Captain Ludvig Kahlen sets out to conquer a Danish heath reputed to be uncultivable, with an impossible goal: to establish a colony in the name of the king, in exchange for a royal title. A single-minded ambition that the ruthless lord of the region will relentlessly seek to put down. Kahlen's fate hangs in the balance: will his endevours bring him wealth and honour, or cost him his life...?

In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.

Matagi is a group of hunters who lives in the mountains and targets wild animals including bears, but now more and more bear hunting is forbidden by the government. This is a story of two young matagi who struggle in their dying culture.

People only know where one country ends and another begins because people have said it is so. The land doesn't know. The land probably doesn't care. Words kill.” So begins the narration of Promised Lands, as the artist tries to make a film but is interrupted by family conversations in rural Uganda.

Susan Sontag scrutinizes the ongoing Arab-Israeli conflict and the growing divisions within Jewish thought over the question of Palestinian sovereignty. Shot in Israel during the final days of the Yom Kippur War. Promised Lands is less straight documentary than visual collage. There are images of combat zones and soldiers, but also everyday street life, desert landscapes, funerals, supermarkets, the Wailing Wall. The soundtrack is snatches of radio, bursts of church bells and gunfire, and an extended voiceover from two politically opposed Israeli thinkers.

A girl is kidnapped and the perpetrator roams freely. When a similar case occurs along the same road and in similar circumstances a suspect is identified leading to the accused running away and going into hiding.

"Promised Land" tells the story of a group of young unwitting Estonian girls smuggled through Egypt to be auctioned off as prostitutes in Israel, and of their initiation into this trade of flesh, and finally of the accidental freeing of one girl who most fight for her freedom.

Settlers from infertile parts of Yugoslavia, arrive to rich Slavonia and Baranja. There they are faced with the decree of the Communist government by which they will be left without the land that they received in the process of collectivization just a year ago. The peasants fiercely resist the government's decision. Milisa Matic is a peasant who fights against the establishment of peasant cooperatives because in that case many peasants would lose their newly acquired land. The Communist government has decreed the founding of cooperatives and Markan Radisic is in charge of their establishment. When Markan's son proposes to Milisa's daughter, the two men confront each other. In self-defense Markan kills Milisa, however the national court fails to find mitigating circumstances. On the way to prison he listens to the news on radio about the abolition of agricultural cooperatives.

A film by Elisabeth Subrin.

November 1947. The United Nations votes the partition plan for Palestine. For some, it is a dream becoming reality; for others, it is the beginning of a catastrophe. Seventy years after this historic vote, the land of Palestine remains an open wound, a battleground for two peoples torn apart by their shared history, a source of inextricable tension in the region and even beyond the borders of the Middle East.

An indigenous American single mother entwined in a sordid affair with a wealthy businessman finds herself on the run from the law with her 3-year-old son.

Farm's not producing, and a rural family feel like they've exhausted their options, so they move to Mexico City.

It was a fateful expedition into the unknown. 50.000 children marched along the banks of the Rhine and the Loire Rivers dressed in rags, dragged themselves barefoot across the snow-covered Alps. They reached the shores of the Mediterranean in a state of exhaustion, and were loaded onto shady ships and ended up as slaves at North African markets. The film snatches the stirring fate of these children from the realm of the forgotten and gives them back their dignity on the pages of history.

This is a story about the land and family memories.

The first ever Paraguayan feature tells about the mass wave of European immigrants at the turn of the 20th century.

This film is a gratitude to the Kazakh Koreans, Germans, Turks, Chechens, Kurds and other peoples of this land and the Kazakh people, who met them with due attention and sympathy, despite their incredible difficulties after the jute of the 30s. For these peoples, our country has become a real Homeland.

The film highlights the current stateless status of Stranded Pakistanis in Bangladesh, otherwise known as Biharis. It highlights the violence against Biharis and their despair of not being able to settle in Pakistan., which the Biharis see as a betrayal.

Ling Ai and He Jiang are young, ambitious, and in pursuit of careers imported from the West, but romantic longings and career ambitions are inevitably shaped by larger social forces.

A experimental retelling of religion.