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During a time when we need it the most, the multi-faceted lyricist, producer, musician, and performer, Jon Bellion, delivered a virtual concert for the soul.

These 9 episodes are all "Screen Songs," made by Famous Studios in the mid 20th century. All are crisply and colorfully drawn, and are delightful, if one takes them in the context of the era, because they have many elements that are now considered "politically incorrect."

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From his days on the pioneering sketch comedy show In Living Color to his smash hit films, Jamie Foxx knows how to bring the laughter. Now, Foxx returns to his comedy roots with a series that will keep you in stitches from start to finish. Filmed before a live audience at Atlanta s hottest comedy and arts festival, Foxx hand picks the best up and comers with the freshest material and the most unbelievable jokes ever heard. And, to keep you entertained throughout the entire show, Cedric the Entertainer serves as your master of ceremonies!

An evil Santa must be stopped by Dick, one of Santa's own Christmas elves, and two local detectives. This is a dark and twisted comedic horror web series.

A strict, religious father struggles to control the romances developing in his family and household.

Turquoise and maroon-toned thin lines of paint are interspersed with variously toned circular "watermarks" of blotched paint giving-way to multi-colored brush strokes and finally fulsomely darkened and thickened brush-strokes which then thin to something akin to the beginning.

Interplay of toned rectangular shapes, vertical and horizontal and diagonal lines in juxtaposition with hardened darker shapes which gradually shift tone and lighten until ending on thin blues.

Many white interruptive frames and absolutely straight-edged multi-colored lines amidst "clouds" of color, finally thickened into blobs with lengthy white (clear leader) spacing between them.

Much depth of multi-colored thickened shapes which appear to be superimposed upon each other, semi-transparent in their "weave" with each other which is increasingly interrupted by ragged-edged blobs and smears of color.

This section is very similar to Prelude 4 except that it is composed of extremely thin-lined colors and sharply delineated shapes which are constantly interrupted by "cloud"-like forms.

The ocean, the trees, the varieties of cityscape and landscape assert themselves as "pictures", but the images are essentially a wash and tangle of nervous feedback, sometimes influenced by the colors of inlet waters, sometimes the wave movements, but more ordinarily by the cellular shifts and shapes of the optic system receiving exterior imagery.

part of the Preludes series (1996)

part of the Preludes series (1996)

Prelude 10 is a double-printed film with an extreme mixture of darks shot thru with jewel-like bursts of color, and very white bursts of light and fleeting colored forms.

Thick weaves of multicolored lines and dull-colored blobs play off against each other.

A bursting of mostly golden light forms as if heralding sunlight itself in their hurried (single-frame) display.

Singly-printed multi-colored watery "blobs" and "feathery" streaks of painted color, dominated by yellows and reds interweaving in complexity until there's an evolution of hard-edge autumn leaf patterns which dissipate into patterns similar to the beginning of the film.