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The movie is about a couple who want to save their relationship but cannot get along at the same time. The title aptly says with a tagline reading 'Premalo Padithe'
In a dystopian alternate reality, at the height of the Austro-Hungarian Empire's rule over Bosnia, David Strbac sues a Badger which occupies his corn field. Adapted from the short story by Petar Kocic.
Bo and Mouse, two New York City armed robbers are bored of running easy stick-ups for little profit and decide drug dealing is where the money is at. But in order for them to get in the game, they need start up cash.
Prestes on May 1, 1987 at an event held by CUT in São Paulo.
A hybrid doc, The PrEP Project is sex ed for the 21st century, taking the fear out of the HIV epidemic with fun and outrageous frankness.
This short documentary film explores the stories of over a dozen PrEP activists; current and former PrEP users; clinicians; and policy-makers. It shines a light on how PrEP has become available to thousands of people, despite the failures of the health system.
Three strangers seeking escape at an old movie theater bond when the projector malfunctions, finding they have more in common than they first believed.
Women's Wrestling Revolution Presents Facelift
An artist's self-portrait problematizing the choice between tradition and the avant-garde, between being free or being disciplined.
In commemorating WWII events in Latvia each year, several “controversial dates” arise. These are remembrance dates that are viewed differently by Latvians, Russians and Jews. The film searches for answers through three main characters, each a representative of their nationality, and categorical in their opposing way of thinking. Why is a date that is celebrated and honoured by one side, also a symbol of deep pain and injustice for another? Why are there, to this day, in a country as small as Latvia, three or more completely differing historical interpretations?
The railway advertisement To Have A Good Trip Let’s Take The Train, had given me the idea of a speedy violent film with plenty of information, the intensity and speed of which cannot be perceived complacently by the spectator. All this gives an aggression to the film not unlike the actual transport system… the train was a pretext and I started to shoot as though I were using a gun-machine, trains and pseudo amusements becoming all mixed up.
