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Klárka lives with her younger brother and her grandmother in a village. She keeps a special diary of everything she and her friends experience...
Ayaka is a bored housewife, stuck in a very ordinary and loveless marriage. Her only escape is to the fantasy world she creates. She begins having dark and graphic nightmares about being in prison and getting molested by the prison guards and warden. The plot thickens as Ayaka's husband's financial hardships cause both of her worlds, the real world and the imaginary one, to collide.
Sergio Jadue, a lowly director of a small-town soccer club in Chile, unexpectedly finds himself at the head of the Chilean soccer association. Drunk with power, he becomes the protégé of soccer godfather Julio Grondona, as well as the FBI’s key to undoing the largest corruption scheme in the world of soccer.
Documentary about the effects of market economy and globalization on director Raoul Peck's homeland, Haiti.
The Nicaraguan border in the eighties. Eleven-year-old Claudia and her younger sister experience the street fighting at first hand outside their car window. Their parents are Sandinista activists and, although the family is now escaping to neighbouring Costa Rica, the struggle continues. Their parents fire off terse commands and the girls are packed off to their relatives. The film focuses on the point of view of the two sisters, who are very close, as they learn more than they are able to cope with, but too little really to understand. A revolutionary struggle, seen through the eyes of children.
Teenager Riley's mind headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone.
Joey Yung's tenth concert at the Hong Kong Coliseum, named after the same-titled song. This concert held the record of the most number of shows in all Joey's concerts in Hong Kong.