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Post Human is the first Taiwanese 35mm stop-motion film fulfilled by independant producers, taken by the well-known photographer John Lin as the director of photography. The film director transforms scrap metal into robots, interpretating an allegory about nuclear energy and environmental protection in the end of 20th century.
Post-Human is a scifi proof-of-concept short based on the award-winning and bestselling series of novels by David Simpson. Amazingly, filmed over just three hours by a crew of three, the short depicts the opening of Post-Human, drawing back the curtain on the Post-Human world and letting viewers see the world and characters they've only been able to imagine previously. You'll get a taste of a world where everyone is immortal, have onboard mental "mind's eye" computers, nanotechnology can make your every dream a reality, and thanks to the magnetic targeted fusion implants every post-human has, everyone can fly (and yep, there's flying in this short!) But there's a dark side to this brave new world, including the fact that every post-human is monitored from the inside out, and the one artificial superintelligence running the show might be about to make its first big mistake.
In the quiet of their home, someone is preparing a meal, accompanied by something mysterious.
A young woman returns to the secluded, abandoned psychological research facility where her deceased mother once worked. Accompanied by three friends, she discovers that the ghosts of the past have found their way to the present when the hospital's legacy of experimentation and madness tears away all known bounds of time, memory and space.
In 1981, the Polish science fiction writer Stanisław Lem wrote an essay for the Human Interference Task Force. This body was discussing a formidable problem: how can warnings about the dangers of stored radioactive waste still be understood in ten thousand years’ time? Languages die out and are forgotten; and by that time, no one knows whether there will be any people at all.
