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In the Middle Ages, when the dreaded plague ended the life of so many people, a young apprentice painter who lives with his teacher will find a way to deal with it.
The editor of internationally acclaimed films, e.g. Ida, Cold War or Quo vadis, Aida?, is Jarosław Kamiński, a FAMU graduate. A native of Łódź, Poland, he takes a walk through his city in this short, refined film portrait, remembering his childhood when he used to run away from school to the cinema, and reflecting on his ties with today’s Poland and yesterday’s Prague alike.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions. Humbert allows his mother the space and time to tell her story, portraying he everyday life through the use of concentrated images. From the bits and pieces of these narrative fragments, a stunning portrait of a freethinking woman emerges.
A documentary on the life and career of the Spanish auteur Carlos Saura.
A short portrait on the great baker Nicolas Supiot.
Juan Ignacio Fernández Hoppe was just eight years old when his father’s body was found on a beach. His mother, a psychiatrist, decided an autopsy was unnecessary, even though his father had been depressed and had psychiatric medication among his belongings. Thirty years later, the filmmaker tries to find out what happened, who his father was and how his mother arrived at her decision.
Documentary about the leader of the fascist party in The Netherlands, from 1931 till 1945. This architect called Anton Mussert was shot in 1946 after having been convicted for high treason and aiding the enemy.
A professional hitman is hired to kill a brain surgeon. However, it turns out that not only are he and the surgeon old friends, but they are both in love with the same woman.
Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.
A passionate marine biologist and a young woman travel together in Brazil, looking for the world’s smartest animals: dolphins. On their journey they discover their actions are all portraits of animal behavior.
Experimental interpretation of the Narcissus myth.
In the copper mine of the industrial town Bor in Eastern Serbia, miners have been melting copper in the same manner for more than a century.
One of the most outstanding personalities in the Danish film industry is Mogens Rukov, co-writer of Thomas Vinterberg's dogma-film The Celebration (Cannes, 1998, winner of the Jury Price) and head of the Department for Scriptwriting at the Danish Filmschool. Flemming Lyngse has made a film with rather than about Mogens Rukov. This is a film with a moving man - professionally as well as personally.
The Aromanians (Rrãmãnji) are an ethnic group found mainly in today’s Albania, Greece, Bulgaria and Romania. For filmmaker Alexandra Gulea, this question of heritage is connected to the name she shares with her grandmother, who was born into a traditional Aromanian life, and is fluent only in an Aromanian language. The older Alexandra's father suffered a violent death in an uprising for his people's rights, which forced the family out of Greece and into a politically treacherous Balkan landscape deep in the throes of nationalist upheavals, until finally, they found a home in Romania.
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
Danish documentary from TV2 in 1991.
Based on a true story, Donald Bashor robs and bludgeons two women to their deaths. While committing the crimes he maintans a normal existence with his girlfriend Florry.
A second frame is added to the picture of portrait of a young woman in such a way that the vertical colored patterns can move in a tight formation, precisely and synchronously, there is no space between them. What is then consummated in harmony with an acoustic guitar is a kind of Doctrine of Affects for the female body, conveyed by means of colors and their vitally switching values to create an organic form. At some point red suddenly breaks out of the grid, threatening to overpower everything else. Remaining the same and changing at the same time. (Marc Ries)
After an interview whose theme is Senegalese immigrants in France, a piece by Sarah Maldoror appears. This is about the role of African women in social organization, founded on ideals of community solidarity.