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They manage a cultural venue. He believes in technological evolution. She believes that love is static. One last exhibition and one last show.
Esther can't take any more of her relationship with Carol. A discussion takes place about each other's feelings.
A man must stop his roommate from overtaking his video game high score.
Pixels of the Orient appropriates Western media depictions of East Asia for a psychedelic and comedic exploration of ahistorical East Asian aesthetics and identity. Western film and television depicts East Asian culture through a pastiche of Chinese and Japanese symbols—often mixed with other influences from across Asia—filtered through an Orientalist lens that associates this “Asianness” with the exotic and mysterious.
Experimental short film about digital cinema
This is a project where I attempt to understand the complexity of remote gig platform work from Amazon’s Mechanical Turk and focuses on an intentionally hidden and opaque space of labour and platform politics. The research – which spanned over two years – asks questions about postcolonial techno-realities, to the invisibility of precarious labour, to infusing individual experiences into conversations around globalised interconnected algorithmic governance, and finding concrete situations where we can witness what this looks like.
""Every Feature Film On My Hard Drive, 3 Pixels Tall and Sped Up 7000%" is comprised of 240 Hollywood movies running simultaneously, squeezed into a single frame and a 3.5 minute runtime. This work highlights the mass amount of media that we have at our fingertips and creates an abstraction of the color and duration of cinema." (Ryan Murray)
An event held in Harajuku and Omotesando, Tokyo in late February 2024 (at a new type of photo studio "#VijuMoreStudio by Google Pixel|au" where you can use Google Pixel to take photos with the worldview of an artist. We bring you a digest of FRUITS ZIPPER and Young Skinny's live performance at the finale of the event, "#Visual Live by Google Pixel|au"!
In this work, Bell-Smith combines three found elements: an industrial video designed to fix stuck pixels in computer monitors, an animation of a sunset and a New Age soundtrack. In doing so Bell-Smith interrogates the purported transcendence of psychedelia and New Age techno-hippie-dom, while bringing into play the history of brainwashing videos and seizure-inducing strobe effects.