Peau D, Streaming avec sous-titres en Français, peau || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.
Some 40 years after setting foot in Israel for the first time, journalist Pierre Nadeau felt the desire to return there to take stock of the Israeli-Palestinian conflict.
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.
A French secret agent gets a license to kill when he is sent to Vienna to plug a security leak in this routine spy saga. He is caught in the crossfire of international enemy agents trying to eliminate the French.
Open and shut case: Maxime Dartois, the painter, is found dead in his penthouse with three bullets in his body, but the pistol that killed him is still being held by the (fainted) young lady by his side. A detective will find a few odd notes, and the plot thickens when plenty of people are interviewed, and more than one could have the will, and the opportunity, to be the killer, and it is not clear what the relationship of the girl was with the deceased.
Almost twenty years after the release of "La peau et les os", filmmaker and actress Hélène Bélanger-Martin interviews women who have overcome anorexia and bulimia.
While the business is doing very well for the Denom family, all decide to leave as every year for a weekend in their country house. But that was without counting on the unexpected arrival of their brother-in-law Samuel, whom they had not heard from since the tragic death of his wife last year. And although the latter is in a wheelchair, unable to move anything but a hand, there are too many blame, secrets, money and mistakes that go in a very strange way, gradually resurface.
Ibiza. Bodies on the sand, a warm wind, an eternal sunshine, the chatter of crickets. A child’s eye, a women’s voice. She’s calling her mom, recalling: « Maud, four years old, eczema on the face, knees, arms… »
A short animation film about knights.
A portrait of Guilda, the timeless beauty from the golden age of Montreal cabaret culture.
In a sequence shot, the slightly slowed movement of hands manipulating and caressing the surface, whose texture is like skin criss-crossed with scars, a wax sculpture that is vaguely anthropomorphic. The sound is the voice of Mathieu Amalric, giving a raw account of three nights of sex that Simon shares with Robert and Nessim, their African lover. With this ball of black matter, a dark satellite seemingly detached from its feature film, Pierre Creton reveals the night-time, and painful, reverse shot of Bel été’s gentle community Utopia. (C.N.)