Peau D

Anna Kilius and Sara Russo are friends. Sara's goal is to shame Anna, who does not have a lot of romance. They go out in a box. In the middle of the night, Sara, exhausted, decides to go back while Anna stays. At dawn, Anna wakes up near a suburban station. She is drugged, raped. Anna is confronted by a skeptical policeman. Vexed, she does not complain. Anna starts the hunt for her rapist thanks to hyperosmia, a large olfactory memory and a keen sense of smell. Thanks to the sexual pheromones, she thinks she finds the rapist. From that moment, all his certainties rock. Is this the right person?

Thérèse, who has come from the city, has married the sad Louis Raboux, a violent peasant who dies under unclear circumstances. Thérèse stays at the farm with Célestin, who loves her, but dares not say it out of shyness. The arrival of Pierre, who knew Louis and has something to hide, complicates the situation. Célestin's jealousy, which the maid Julia tries to console. Thérèse and Pierre's passionate love. The police arrest the young man and Célestin chases Thérèse, who falls from the roof. Célestin throws the body into an abyss, only to see Pierre reappear. In a rage, he too rushes into the ravine, from which Thérèse emerges, a new miracle-worker, ready to throw herself into the arms of her lover.

June 2010. 11 years old Julia and Raphaëlle are the best at killing time together. Between walking their blind neighbor’s dogs and finishing their music video before Raph returns to Romania, they unconsciously grow apart. This nostalgic semi-autobiographical story recounts the last moments of the inevitable and awkward summer between childhood and adolescence.

We are little miracles. Tiny ones, even, who never stop shedding our skins, over and over. The world settles in our sweat. Alone, though, with no memory of what drove us into this life that jealous people claim is ours. Forgotten, skins fall one after another, like caresses that—much moreso than our cells, in truth—create them, these skins, which are neither ours nor those of others, regardless of the energy that we spend, at night, exchanging them.

A woman finds a baby python in her apartment and has a strange connection with it. Together, both snake and woman begin a transformation into something new.

Eric is a butcher. Divorced, his wife has filed a restraining order for domestic violence, forbidding him to see his son. Since then, a strange wound has appeared on his arm and is beginning to spread through the rest of his body.

An uninspiring character decides to visit his uninspired author.

After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.

The Onion Film was inspired by my work with found materials and organic surfaces. I am interested in the multiple ways in which film exists as a self-referencing medium. I worked with filmic surfaces directly, creating varied shapes and rhythms, within the constraints of the filmic frame. Much of my creative inspiration comes from various conceptual artists, both historical and contemporary.

Misfortune strikes a kingdom: the queen is dying. She makes her husband swear that he remarry after her death, but on one condition, that he only marry a woman more beautiful than her. Seeing the picture of his daughter appear, whom he doesn't recognize at first, the king finds in her a woman more beautiful than the queen and he wishes to marry her, and continues to wish it even after she is recognized as his child. Advised by her fairy godmother, the little girl imposes impossible conditions in hopes of cancelling the wedding. But the king accomplishes the impossible. The girl then asks of him the skin of his donkey, the one that makes the kingdom's riches by defecating gold. Without hesitating the king fulfills the request of his daughter, who then flees him, dressed in the horrible garment to repel all desires.

Homme fue and his assistant continue their procedure with the subject…

Since 1967, Jacques Chirac has appeared everyday on television : millions of hours of automatic gestures, jerky speeches and feverish cavalcades. This mockumentary is based on archival footage and told at the first person (the voice of the French president is provided by imitator Didier Gustin). The main comic effect comes from the contradictions between the various speeches of the French President. The title comes from the title of the French-language version of Being John Malkovich.

Léonard, a perfectionist but simple man, has a terrible secret.

Arrived home, a young woman is targeted by a mysterious killer

When her mother forbids her from biting her nails, Sarah has to abide by new rules she doesn't understand. By taking control of her actions and other people's attitudes toward her, Sarah redefines her relationship with others and herself.

In a workshop in the National Natural History Museum (Paris), a taxidermist undertakes the task of stuffing a badger. This film was earmarked for the renovated Grande Galerie in the National Natural History Museum.