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Short animated film
A public service announcement condemning the ominous obstacle of social parasitism and delinquency amongst wayward youth unwilling to contribute to Romania’s socialist advancement.
A border town on the Danube, 1944. The town is occupied by the Germans, and there are plenty of collaborators. A number of the young men join the partisans, kill a Serbian, and throw his body into the village, forbidding anyone to bury it. Anastasia refuses to obey the order…
The film tells the story of a woman who loves her husband very much, but after a while she learns of her husband's strange behavior, and so on.
Gu Zhaohui, a young opera performer, waits his turn to the first big performance. While he waits on backstage, he chats with old friends, remembering his past struggles. Shot with iPhone 14 Pro.
Du Ska Nog Se Att Det Går Över (Don't You Worry, It Will Probably Pass) is a documentary by Cecilia Neant-Falk. When she was 14 years old, in 1986, she posted an add in a youth magazine, explaining that she was bisexual and wished to get in contact with other people in the same situation. In 1999, she posted the same add in the magazine and decided to make a movie about the three people who responded.
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
In near future Europe human beings surrender themselves to an ongoing death row.
War forms an impenetrable wall between basketball players.
A small creature is pulled by its own lifeline through a world where it must adapt and learn to cope with life.
Arini is "misled" by a close friend, Ira, who wants to marry her husband, Helmi. Eventually she finds out this plan, so she asks for a divorce and leaves her son, who later is discovered to have kidney failure. She leaves for the U.S. where she meets Nick, a student who wants to escape from his conservative, and troubled family. Nick really loves Arini, but the latter is still involved in many matters related to her ex-husband. The director, Sophan Sophiaan, who has a political activist family background, always uses his films to criticise social and political issues. Only this time, he does it in a more subtle way.
Aqabat-Jaber is one of the sixty Palestinian refugee camps built in the Middle East by the UN at the beginning of the 1950s. Filmed in 1987, a few months before the Intifada, this film tells the story of a disinherited generation brought up in the nostalgia of places they never knew and which no longer exist. The story of a temporary solution that became a permanent way of life.
This rural documentary features poet Jin Makabe. Thoughts about agriculture, memories, landscapes.
Lydia, Lorenzo and Augustine work at Minerva, a space station in Earth orbit. The station is the most important part of a defense system that helps to maintain world peace. One day, the three get a new directive: World War. Disagreements arise and the key question becomes: what is our individual responsibility?
Hugo gets an audition script for a chipmunks ad and begins to have strange dreams centred around the mascot.
Due to complaints, an inspector comes to a small construction industry cooperative in Bihar. The three leaders that committed embezzlement and abuse begin to think about how they could escape from being held accountable. The president knocks down and robs the inspector, but they don't find the compromising documents on him. Therefore, they decide that one of them must sacrifice himself with a poisonous liquid called "fragrant road to nowhere"...
Chronophotograph record of a ball falling through a soap bubble.
A film constantly on the run, running away from something or someone, from itself... A film with no pretensions to be a film. Instead, it wants to be description, a diary of a journey, of days and lives that have fled, that have escaped control, life itself...
A teenage girl from New York visits her Japanese grandfather who takes her on a journey to some of Japan’s most famous Shinto shrines. During their travels, Grandfather tells the story of Minakata Kumagusu, a naturalist of early 20th century Japan. “Whenever Kumagusu took walks in the forest, he would take a compact microscope along with him so he could observe the slime molds. They’re like tiny gods that can’t be seen with the naked eye, but these microorganisms work to connect the worlds of plants and animals. Kumagusu ventured deep into the sacred groves of Japan’s old shrines in search of these tiny gods – the slime molds which formed an important part of the ecosystem.” Grandfather takes us on a journey deep into the sacred groves of Japan’s old shrines.