Parts Of The Same Circle

The story begins with Jean Valjean as a humble worker endeavoring to provide for his invalid mother. They live in a squalid home, made more wretched by his inability to provide sufficient food. He goes out in search of work, but is unsuccessful. Finally, in desperation, he steals a loaf of bread regardless of consequences. He hastens home with it, pursued by a crowd, and gives it to his mother. Valjean is arrested for the theft and sentenced to five years at hard labor.

Edmund Kemper, cannibal and necrophiliac, mercilessly murdered his grandparents at the age of 15. Rejected by his parents and hating his mother, he killed eight more victims a few years later in a fit of madness. After rape, his supreme pleasure was to dissect and decapitate the corpses he ate...

An Ishiro Honda film. The second part of A Rainbow Plays in My Heart released the same day as the first film.

A young director, who sits in front of a commission defending a film based on her own experiences with sex and relationships, is continually confronted with questions about why she’s making the movie. The answer doesn’t come easy… Linde took on a difficult task for her short film.

A rowdy, young yakuza takes revenge against a gang of thousands for the death of his boss.

The last part of the epic "Khan Asparukh" - "Land Forever" is an impressive finish to scale narrative, created for the nationwide celebration of 13 century anniversary of the Bulgarian state. The authors collected in final chord all storylines, culminating in the political strengthening of the young Bulgarian state. In the center of the film epic again is the image of Khan Asparukh - a lofty romantic hero who embodies the virtues and energy of his people.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

From a screeching lo-fi sound to luminous pop songs; from a split with Juana La Loca to a Le Mans tribute EP; from a cassette tape with a red star in the groundbreaking film Rapado to the lead singer's main role in Silvia Prieto. In sum: from 1989 to 2001, Suárez rode the scene and stages of Argentine indie rock with great freedom, elegance and intelligence. Also during all those years, its members recorded on video many of its intimate moments and public tours. Blanco wisely sticks to organizing and polishing that analogic repertoire without adding anything else, and he lets Suárez dazzling mystery reveals itself slowly amidst jokes, music videos, dodgy video-camera effects, and lots and lots of other answering machines.

In One Hundred Paths: Suárez. Second Part the director accompanies Gonzalo, Rosario, Fabio and Diego thorugh Europe. The approach to the private world of the band continues in the old continent, but the best thing about this follow-up is the contagious excitement of the group on tour.

This is the second part with Runje Shaw directing.

This is the third sequel of the original film

Story of a bandit king part 2.

Only the person who is ready to learn everything that our ancestors were able to do can live on a desert island: understand the sea, live by the tides, build a boat, catch fish, find a "common language" with a bear, bake bread… The inhabitants of the remote Cape Alevina in the Sea of Okhotsk are able to do all this. There are only three of them on the island, and suddenly something went wrong.

Only a person who is ready to learn everything that our ancestors could do can live on a desert island: understand the sea, live by the ebb and flow, build a boat, catch a fish, find a “common language” with a bear, bake bread. The inhabitants of the hard-to-reach Cape Alevina in the Sea of ​​Okhotsk can do all this. There are only three of them on the island, and suddenly something went wrong.

The rebellion of 1832 is on. There is rioting and barricading in the streets. Marius in despair, and in the hope that a bullet will soon end his life, joins the mob and becomes a fighter in the ranks of the insurgents.

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. This first part of the project, originally conceived as a long feature film, was finished while Ernst Schmidt Jr. was still alive.

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. This second part was finished after Ernst Schmidt Jr. death by his assistant Susi Praglowski.

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. The third part was realized by Peter Tscherkassy based on a concept by Ernst Schmidt Jr.

An afternoon exercise of piecing together minimal details for safekeeping: my grandmother's garden, her music, recipes for well-being.