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In this short, recalling the surrealism of Luis Buñuel’s Un Chien Andalou (1929) and using an impressive array of basic animation techniques, romantic fetishists explore their desires across a dinner table.
The Whole is Greater Than the Sum of Its Parts explores accessibility, memory, and experimental filmmaking as a tool for accessing the inner self. In the Fall of 2019, while traveling across the United States, I taught camera-less film workshops in which I asked participants to express their “inner self” on a strip of 16mm film. These “visual autobiographies” are a synthesis of expression and memory in an abstract form. To capture my own inner, I documented the journey on super 8 film, and drew animations of the landscapes that drifted by me during my travels. My footage is stitched together with the collected consciousness of the many people that I met in these workshops; my memories in conversation with theirs. Each person’s contribution calls to mind one of my own memories, which relates back to the collective memory of the universe.
An ongoing work, David Gatten's Secret History cycle "probes the relationship between printed words and images, philosophical ideas, historical records, and biography." Currently, parts I-V have been released: Secret history of the Dividing Line, The Great Art of Knowing, Moxon's Mechanick Exercises or the Doctrine of Handy-works applied to the Art of Printing, The Enjoyment of Reading (Lost and Found) and What Places of Heaven, What Planets Directed, How Long the Effects? or, the General Accidents of the World.
Grem and Acer are stealing car parts near Radiator Springs and Mater has to stop them.
In 1812 Napoleon invaded Russia with the largest army Europe had ever seen, composed of troops from France as well Poland, Germany, Italy and several other allied states. The campaign that followed saw the Russians use scorched earth tactics to deny the enemy supplies, while Napoleon advanced further and further into Russia, searching in vain for the decisive blow that would force Emperor Alexander to negotiate peace.
Director Anthony R. Page Writer Anthony R. Page Stars Beliria SimsKenneth Brown IIIsis Eikner
Sergio is dying from marrow cancer. His doctor, Millán, wants him to achieve his final will. Helped by the rest of the medical team, they will leave embarrassment aside to make his last dream come true.
Part three of the Brahmāstra trilogy.
Emma meets François at an airport in France. He is an astronomer who studies the phenomenon of black holes, and Emma finds herself immediately taken with him. Their romance flourishes during a stay in the countryside. But one day, François disappears on a bicycle ride. Left alone in a big house, Emma becomes afraid and returns to Paris to continue her life as a real estate agent. Soon after, François' brother Michel contacts her and together they try to solve the mystery of François' disappearance. But when he encounters Emma, Michel begins to transform into a ghost. Emma slowly begins to realize she possesses a frightening power that she was not aware of.
On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.
Documentary short of love, betrayal and responsibility. Fenik and Alina live for the moment, as people lost on the brink of civilization and human morality. Both lovers have children, and they cherish the hope that they will soon be able to take the kids to live with them. But those are only words. Alina's infidelity pushes Fenik towards reconsideration, but will it last? The film is about the manifestation of human feelings in souls ravaged by alcohol. It hints at our common responsibility for the future. One wants to think that children will be healthily immune to this syndrome and will become better than their parents. That is how it is supposed to be.
Based upon a hugely popular romance novel by Shanghai writer Zhang Henshui, the film tells the intriguing relationship between a rich Beijing college boy and three young women: a street artist, an upper class lady, and a teahouse songstress.
Continuing the story of Part I, the plots follows the tragic fate of teahouse songstress Shen, who is forced to become the mistress of the evil warlord Liu. When the latter discovers that she has had a secret rendezvous with her lover Fan, he tortures her to insanity. A fine melodrama, indeed the best a studio can offer in its time, The Story of Three Loves is also the last film of screen diva Grace Chang who plays two roles, the tender and affectionate Shen, and the arrogant and spoiled He...
A live-action short film following Asuka and Misato from "Evangelion" as ordinary people outside of the universe of Evangelion.
After losing his memory, Artur returns to a place of his past where he makes discoveries about himself.
Third movie in the series.
Upon visiting a secluded summer home, four high school girls are soon targeted by a horrific creature in the basement with a knowing housekeeper trying to keep the unspeakable heap secret and at bay using a flute.
A surreal tale told in three chapters about a man suffering from a severe back pain. The people around him fail to understand his experience and slowly the man descends into madness and despair.
Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.
In three stylistically very different parts, it deals with various forms of escapism in a society that has become blind to the violence that is eroding it from within. Made shortly before the 1980 military coup, Üç Bölümlü Kısa Film was bound to appear to contemporary audiences as a courageous plea for civil disobedience.