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Two American bandits disguise themselves as priests in order to work undetected in Mexico during the revolution.
It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.
"A partire dal Dolce brings together "portraits-interventions" of a dozen or so thinkers, artists, friends of Gianfranco Baruchello (including extremely rare footage of Jean-François Lyotard), who comment on the concept of the "dolce" (gentle/soft/sweet)" Claudine Eizykman, Les Rendez-vous du Cinéma Expérimental, February 2000
A luminous, unsentimental portrayal of a charismatic, indefatigable woman, and of the lives (and one death) of the personalities and conditions (including Alzheimer’s) of the elderly residents of the retirement home she administers outside Paris. A film full of love, caring, dignity, pain and joy, sadness and laughter, and remarkable faces. Invigorating and inspiring. ~ Full Frame Documentary Film Festival
On the day of his wife's funeral, an absent father will come to realize how hard will it be to raise his kids alone.
Pierre and Maryel have the same mother but have never met even though they have been writing to each other for fifteen years. One day, Pierre decides to see his sister and goes to Saint-André where she lives. The local youths don't exactly appreciate his presence.
Trapped in phosphene, raw documentary footage reveals its digital self, receding into its abstract infancy, a memory-image unspooled from its dependency on referents, affected by its own internal life. A computer sees without eyes, an algorithm imagines.
Guided by a sentence from my childhood, I encounter three people in Paris: A collector of lost objects, a princess in Disneyland and a coffee seller. A reconciliation with my hometown through a dialogue with strangers. Through a mirroring effect the first person narrative echoes the stories of those filmed questionning the possibilities of the documentary encounter.
In 2001, a man navigates complex bureaucratic processes in the United States of Europe.
A young aficionado of paranormal experiences attempts to reconstruct the previous moments of what could have been one of these episodes. High-tension cables, a forest, an abandoned church, a barefoot woman: Past, present and future become confused, and in this dissolved reality, he is not sure to have found what he was looking for.
A couple decide to leave the apartment in which they’re living. As the day of the move approaches, the preparations become stranger and stranger, and she begins to doubt. Where are they heading?
From the album Mouvance, Nous partirons combines the text of Serge Patrice Thibodeau, the voice of Suzie LeBlanc, and the music of Jérôme Blais, narrating the exile and quest for freedom of a young Lebanese man driven by political circumstances to emigrate to Canada.
