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Possibly the sensation of the flight of a bird can be nearest realized by being on deck of one of the U.S. Government's fleet torpedo boats racing at its highest speed through the water. This picture was taken under these conditions and shows the beautiful scenery comprising the harbor of Newport, R. I. In the foreground, the spray of the vessel and the foam on the water gives a fair idea of the rapidity at which this boat is moving.
This picture shows several buildings which were wrecked and also shows a rear view of this hotel, which is on the highest point of land in Galveston, and in which several thousand people were saved.
"Taken from moving cable car leaving Brooklyn train yard, crossing entire span and arriving at New York terminus in City Hall station."
Film by W.K.L. Dickson; Rounding a bend in the track, we behold Windsor Castle.
A panoramic view of Waikiki Beach.
A 360 degree view of Haleakala.
Filmed in July 1900, on the Champs Elysées in Paris, France.
One long traveling shot through a sea front lined with tourists, workers, and sundry others.
Taken from an automobile. This picture was taken during the fashionable driving hour, making a complete circle of the Place de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.
Here we have recorded a very novel scene, the camera having been placed in the basket of the captive balloon at the Pan-American Exposition...
Film produced by William K. Dickson’s British Mutoscope and Biograph Company.
This picture was taken from the front end of a train during a trip from the famous Cliff House to Bakers Beach along the shore of the Golden Gate. The train runs along the brink of the cliff and gives a perfect representation of the objects that meet the eye prior to entering the Golden Gate. One of the features of this picture is the stirring ride along the very edge of the cliff, the track being laid in places within a foot of the brink, and far below can be seen the huge breakers dashing against the foot of the cliff. (Edison Catalog)
The camera was placed in almost the center of the compound area by the exhibit buildings, and the cameraman began to photograph and pan his camera simultaneously. The film consists of pictures of the walkways, pools of water, bridges over the pools, exhibit buildings, bandstands, statuary, and decorations of all nature that, put together, made up the Exposition in Charleston in 1902.
Panoramic view of the McKinley homestead, Canton, O., on the morning of the funeral, showing large crowds passing the house, which was under military guard.
Persons who have visited the "Hub," no doubt carried away with vivid recollections of Boston's famous system of Underground Transportation and this film takes the audience from the bright sunshine into the dim obscurity of the subway. The Underground stations and rows of Electric Arc lamps are plainly shown and, after traversing the tunnel for a considerable distance, the car finally emerges opposite the railroad depot.
This scene was taken shortly after the completion of the railroad in 1899. The impression received by the audience is that of riding on the pilot of an engine. Shortly after starting, you plunge into the darkness of the tunnel, afterwards to emerge, and crossing a high trestle skirting the edge of a deep chasm, you continue to wind about among the mountains and gorges. The ice-covered peaks of the distant mountains form an ever changing background.
A hand-colored ride along the Bangor-Conwy-Colwyn Bay railroad filmed from an express train from the London and North Western Railway; Stations, vistas and a tunnel under the Conwy Castle (misspelled in the title) in North Wales.
A panoramic view of Market Street San Francisco after the earthquake and fire of 1906
Here we present probably the most interesting and valuable picture of the McKinley funeral series. Our camera is located opposite the McKinley home on Market street...
This rapid panorama isn't as smooth as the average 'Phantom Ride' - an early example of 'shaky-cam' war photography? Filmmaker WKL Dickson asked that the British public 'not too severely judge this picture,' demonstrating not only his awareness of the poorer quality of the image, but also his recognition of the importance of its content. The sequence is a military twist on the popular 'phantom ride' genre, captured from a moving train, and shows glimpses of the troops at rest. In sharp contrast to parade films this film shows soldiers and horses out of formation, providing insight into everyday life in camp.