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“Just Like a Painting by Eggert Pétursson” is a documentary on the painter Eggert Pétursson. In moraines near Skaftafell Glacier and close to the Arctic Circle at Tröllaskagi peninsula we discover the film’s dynamic cornerstone on our trip through the Highlands. Our guide is botanist Thóra Ellen Thórhallsdóttir, who connects the dots between our experience of the Icelandic nature and the floral diversity of Eggert’s flower paintings. Eggert is a conceptual artist with a realistic vision of form and structure, but the imagination is tied to interpretation and his own sense of painting. From his book of sketches, surrounded by a musical ode to Mother Nature, the flora’s perseverance and complexity matches the world of the painting while emphasizing the coexistence of these two worlds.
My friend made a painting from a photograph about a manifestation against the economic crisis and I made a film from that painting. Between these two objects lies a path, which began in a casual photograph and ended in a poorly-lit garage.
This collaboration between an inscrutable artist and his filmmaker son speaks volumes, despite documenting a man of very few words, whose practice embraces meditative silence.
"A humorous slice of educational instruction on refurbishing and painting" (MoMA).
Follows the theory of painting and its components.
Painting on the wall is prohibited I, II and III.
In 1987, after over ten years of work, Werner Tübke (1929-2004), one of East Germany’s most important painters, completed the monumental, oil-on-canvas painting The Early Bourgeois Revolution in Germany. Painted in the Renaissance styles of Albrecht Dürer and Albrecht Altdorfer, the painting—measuring 14 meters high and 123 meters wide—is in the Panorama Museum in Bad Frankenhausen, Thuringia, the site of the last battle of the German Peasants’ War. The museum was specifically built for the painting, one of the most figurative in recent art history.Interspersed with interviews with the artist, the documentary follows the complicated and elaborate creation of the monumental work, from signing the contract in 1976 to the last brush stroke on September 11, 1987. In 2011, the Panorama Museum was awarded the European Seal of Cultural Heritage.
The 64rd installment in the “Sealed Videos” series, investigating the truly dreadful in horror videos.
A short film, shot in a long take, interpreted, drawn and directed by Jean-Louis Bompoint, with the precious collaboration of Hélène Bromberg; but especially Henri Alekan, who was the Director of Photography of the film.
In the documentary The portrait: Yorgos Rorris paints Evaggelos Averoff, a parallel narrative unfolds, centered around the lives of its two main protagonists. The film intricately documents the creation of a portrait of the politician and benefactor Evangelos Averoff by the painter Yorgos Rorris. Rorris guides us through the meticulous process he is about to embark on. His working method is unique, as the subject of the portrait has passed away (Evangelos Averoff: 1910 – 1990). The studio, serving as the documentary's primary setting, is creatively enhanced with sounds, descriptions, memories, and images from the life and acquaintances of Evangelos Averoff.
Nikita Mikhalkov introduces his favorite paintings by Russian painters of the XIX century. The viewer is presented with a qualified look at the artistic trends and preferences of that period. The series tells about the fate of artists and the heroes of their paintings, the history of creating masterpieces, the overall picture of Russian artistic culture. The text is read by Evgeny Steblov.
Two filmmakers document three years in the life of contemporary Greek painter Stefanos Rokos, as he is working on the making of his exhibition “Stefanos Rokos: Nick Cave & The Bad Seeds’ No More Shall We Part: 14 paintings 17 years later.” His daily routines, his artistic process, some spontaneous inspirations, and his creative dialogue with legendary musician Nick Cave.