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PAW Patrol is a CG action-adventure for old children and preschool series starring a pack of six heroic puppies led by a tech-savvy 10-year-old boy named Ryder.

Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.

"You will never be a young lady." A story about the uncertainty of growing up and the encounter with desire.

Follow Rubble and his pup family as they use their awesome construction vehicles to build and repair whatever the town of Builder Cove needs in high-stakes adventures.

Tlaloc (Lines Drawn in Water) is a handmade cameraless 16mm film of materiality and transformation; an enigmatic otherworld where hues of water evolve into prismatic blooms. Tlaloc is the deity of waters, rain, lightning, and growth in the Aztec pantheon. This film explores the membrane of film itself - a moving skin marked by fluid, punctured by light. The protean soundtrack was entirely composed with contact microphones to capture handmade surface markings and gestures. The motion picture was made with direct animation, scratching, hand-painting, and contact-printing techniques.

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.

Rather than focusing on the monuments and representational architecture of the Plaza, Tlatelolco concentrates on the neighboring residential high-rises. Built in the 1960s under the supervision of modernist Mario Pani, Unidad Habitacional Nonoalco-Tlatelolco is the largest apartment complex in Mexico City. Realized at the zenith of Mexico’s economic boom, Pani’s vision of a “vertical city” beyond class distinctions has itself been shaken up on multiple occasions. Schreiber and cameraman Johannes Hammel capture the fading of an urban architectural utopia.

Narrates the (ups and downs) difficulties of Nahuas immigrants from *Huasteca in Hidalgo State, now loving in Guadalajara. An adolescent just finishing *Junior High School abandons her studies to work in Guadalajara; an experienced immigrant who has attained a fortune and now decides to migrate in to USA; a young woman who leaves her children with her mother in order to work in the city.

Using Mexico's version of the USA's Kent State, as a back drop, we examine the USA's deeply rooted involvement in Mexico's politics, by the CIA. We learn of the great uncontested influence that CIA's #1 Man in Mexico, Winston Scott had, and how he backed the PRI Monopoly over Mexico's politics,misleading Mexico's President (Gustavo Diaz Ordaz) About the NEVER proven Communist involvement with the Student Movement in 1968, and such uncertainty leading to the massacre of Hundreds of students on October 2nd, 1968, a week prior to the inauguration of the Mexico 1968. Olympics.

Swailem has three daughters, and his brother Swaileh has three sons. The two work in trade and live next door to each other. As Swailem faces bankruptcy, Swaileh's projects prosper, and Swailem is forced to sell his possessions to him. Some attribute Swailem's misfortune to his daughters, but time will prove otherwise.

Mexican feature film

This is the story of a hungry opossum who is captured while trying to find food. He manages to escape and continues his search, although what he really finds is a long-lasting friendship.

A meditative film explores the effects that examining consciousness and a microscopic view of one’s inner self have on the rationalism that scientists are expected to have. Even though each has a different approach, a physicist and an economist have similar, indescribable experiences, which they can only show through ‘reflections’. Efforts to change a flat map into an actual landscape lead to an unaffected re-examination of the foundations of our society, in which the myth of objectivity often covers up the manipulation of the powers-that-be, and the desire for deeper knowledge may be the driving force for the military industrial complex just as much as for getting a degree.

A young peasant girl must protect a newborn from the tlahuelpuchis, nocturnal witches who feed on innocent blood.

The screen broken in three echoes a colonial Tlaxcaltec codex. A montage over the political family militancy; the constant apparition of Tlaxcala as a welcoming territory to invasions. Images that move against the grain of the Indiginous prophecies that predicted the arrival of Spain; but also with the promises that preceded the signature of the TLC and the UFO historiography, so profoundly ingrained in Mexican idiosyncrasy.

Say Anything performs live at the TLA in Philadelphia on March 26th, 2008.

In Zongolica's Mountain Range, in the mexican state of Veracruz, naturally dyed wool yarn and excellent quality textiles are produced. Women are the ones in charge of working and teaching the art of weaving textiles with the waist loom technique. Everyday with perseverance and wisdom they masterfully wave their lives and future.