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A man and a woman bring a sofa into a room that is too small and don't know how or where to turn.
Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.
This humanistic drama depicts the bond between a brother and sister living in the zainichi Korean town of Ikuno, Osaka. Based on his own life, actor Choi Cheol-ho, the leader of the theatrical troupe Stray Dog Bullet, directs, writes, and stars in the film, which depicts a family that faces difficulties without forgetting to laugh and encourage each other in the midst of severe circumstances such as racial prejudice and poverty. In a zainichi Korean town in Ikuno, a funeral is being held for Omoni, who was like a mother to everyone. However, her eldest son Yong-gi, who disappeared 15 years ago, is not there. The three siblings, except Yeong-gi, are at their wit's end, burdened with debts from the store that Omoni used to run. Yeong-gi eventually returns, but the siblings are bewildered by his changed appearance. (machine translated from eiga.com)
A woman begins to realise that there is something seriously dysfunctional about her fiancé's family.
After the demolition of the houses and streets, remained the bodies and life in smithereens. A film shot in Vila Autódromo, a village that resisted the devastation in Rio, 2016.
Deals with filmic reality and conformity in East and West. Won acclaim at 1976 Edinburgh Festival.
A cartoon about creative burnout and fear of a clean slate.
On this January morning, Agnès and her brother are hanging out in the living room. This quiet day will take a wrong turn when Agnès' father, shaken by his recent divorce from her mother, decides to pay her an impromptu visit.
Honoka is taking care of her depressed stepfather Kozaku instead of Maori Kaori. However, KoSaku continues to demand sexual services to Honoka with the excuse of depression, and eventually she gets mixed up. One day when I was so troubled, Honoka is shocked to hear that Mom knew she was letting go of Kosaku's sexual resolve. On the other hand, Haruka is a newly married man who has just married a botanist, Makoto, who was his university instructor. Makoto is now in a hurry to have a child because he has not had much time left
Starring Naowarat Yuktanan
Short film for the "A Commercial for Myself" programme.
Brigitte Lin's debut film is a melodrama in which her character gets involved in a socially unacceptable relationship and then forced into marriage.
Ten prisoners of a Spanish penitentiary open their heart for us. They talk about their criminal past, their life in prison and their repentance.
"In letters, we cannot say our real name." With Catherine, we discover some precious and surprising epistolary relationships. For almost 25 years, she corresponded with incarcerated persons whose words inhabit her apartment. Another voice, from a former female inmate, echoes her.
A delinquent, the son of a police commissioner, leaves prison to seduce someone who should be like a sister to him: a girl raised and loved by his parents. To force her to give in to his obsession, he kidnaps her little daughter.
We see them, but decide to ignore them. They ask us, but we're bothered by it. Break out of your bubble and live immersively the stories and the daily life of half of Colombia's labor force: informal workers.
Journey into the world of transvestites and transsexuals from the South of Italy who prostitute themselves on the sidewalks of Turin where they live in crumbling walkways. The result of a two and a half years research, the film consists of a continuous, almost imperceptible transition from documentary to fiction and vice versa, characterized by respect and delicacy.
A surreal look on the western world's view on immigration.
Marina, a young woman who is pregnant, experiences life through the metals of the peripheral and industrial city where she grew up. Little by little, with the help of her sister Núbia, she discovers a past where the black workers who built the capital were bestialized and excluded. When he meets Maria, a lady who is said to haunt one of the capital's first buildings, something supernatural happens. Now, these women want back what was taken from them.