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The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.

The emotional journey of a four-member family that fails to recognize that it is rapidly growing apart until the mother is diagnosed with terminal cancer.

Dave and Nell recount the Christmas where they unknowingly fell in love while working as rivals on a town festival, as their daughter’s boyfriend struggles to navigate his own relationship.

On Our Own is an American television series broadcast on CBS as part of their 1977-78 schedule. It featured Lynnie Greene as Maria Bonino and Bess Armstrong as Julia Peters, two employees in the Bedford Advertising Agency in New York who also share an apartment. Toni McBain was their boss, while April Baxter and Phil Goldstein were their coworkers. On Our Own was shot at CBS studios in Manhattan and edited at Unitel. The editor was Frank Herold. The show was filmed on location in New York in front of a live audience, which was somewhat unique for a show of its genre during the late 1970s, as most sitcoms were typically taped in Hollywood. The show aired from 9 October 1977 until 27 August 1978.

Erotic spoof of Snow White and the Seven Dwarfs.

Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. In the process of graduating, they share the same dormitory, the same dreams, the same problems of teenage girls. But in every corner of the country as well as in the school there are deep antagonisms that will forever change the destiny of these young girls and the whole country.

A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.

A Man in Our House is a 1961 Egyptian film about the resistance to British rule in Egypt which ended in the exile of King Farouk in 1954 and the rise to power of Gamal Abdel Nasser.

Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality.

Three Jewish teenagers are kidnapped and murdered by Hamas militants in the summer of 2014, leading to the retaliatory killing of 16-year-old Palestinian Muhammad Abu Khdeir and a conflict that forever changes the lives of Jews and Arabs alike.

Maggi meets David after having missed her train, and they spend the night together. Penniless, the young lovers break into a summer cottage. The owner, Håkansson, offers to rent it to them, but he has an ulterior motive. By living together, they have to face their pasts and deal with the meddling neighbors and authorities.

Mary-Kate and Ashley star in this Down Under adventure filled with nonstop Aussie intrigue, laughs and romance. After running afoul of a notorious gangster, Mary-Kate and Ashley take refuge in the FBI Witness Protection Program. Unfortunately, the girls are uncontrollable blabbermouths and they blow their cover in town after town until there's only one hiding place left - Australia.

The extraordinary story of a world-renowned patent attorney in Sugar Land, Texas who, at 57, came out as a trans woman and is now navigating LGBTQ+ issues and fighting for trans rights in the vortex of Texas conservatism, as she and her family challenge the idea of what modern love looks like.

The story of a film director experiencing a “sophomore slump,” losing momentum after a successful first project, and a terminally ill actress who finally tries to live as the main character at the end of her own life.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Two actresses rehearse a play during a week-end in a country house. But one of them digs up a strange thing from earth while walking in the woods. A creature the size of a seal, without any holes nor members. The mass of flesh and skin, covered with hair, breathes loudly. The creature becomes an object of lust for both women. The relationship between the two actresses becomes tense. Both women are desperate to own the thing. This leads to a series of burlesque and violent situations. The two actresses have no idea that they have unearthed "Notre-Dame des Hormones"

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.

The small girl read a great Christian prayer

In the heart of Portugal, amid the mountains, the month of August is abuzz with people and activity...