Our Children

Vera, who fought in the armed left-wing movements against the Brazilian military dictatorship, has lived in multiple South American countries. Her daughter Tânica has been married to another woman for fifteen years, and they're about to have their first child.

Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

A magical performance in the circus on the eve of the New Year miraculously twists the fates of two girls absolutely different from each other. Sonya lives with a rich dad - the owner of a candy empire, and Katya and her brother Kolya grow up in an orphanage. They are not familiar, but they are united by the love of fairy tales about the sweet Kingdom, which were composed by Sonya's mother, a famous children's writer. That's just her story is not enough finals. Sonya is sure that the last page of her mother's tale will bring happiness to her family, and for this she is even ready to exchange places with Katya.

Saddam Hussein's regime left many homes broken, families dead, and orphans left with no hopes for a good future. Homelessness in Iraqi-Kurdistan has risen, despite the implementation of orphanages. There is more that needs to be done. Ruwayda Mustafah, a political activist, returns to her homeland with ideas for improvement.

Everything happens from the perspective of a young girl who, by sheer circumstances and against her own will, finds herself to be a part of social milieu during local elections.

A tale of juvenile delinquency, about a high-school student neglecting his studies, partying hard, falling in with the wrong crowd and finally finding himself on trial for murder committed during a robbery.

One of the boys is a radical, one's a playboy, and the girls want to get jobs first before they think about marriage! Mom and Pop have their own #firstworldproblems.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

In this, Poland's last Yiddish feature film, comedy duo Dzigan and Shumacher play all the parts in a Sholem Aleichem story staged for an audience of children who survived the Holocaust.

On a sunny day, students from Wuchang Kindergarten Normal School brought puppets to Shuguang Kindergarten in a certain factory area, and brought a series of wonderful, interesting and educational puppet shows to the children.

In 2014, Daesh took control of Northern Iraq, home to the Yazidi community. They separated families, killing the men and kidnapping the women and girls, who were then “offered” to the jihad fighters. The reporter and filmmaker Pascale Bourgaux tells the story of the children born during this period of captivity, “the bastards of Daesh”, shedding light on this human tragedy.

To Save Our Schools, To Save Our Children is a three hours television documentary on public education that aired on ABC on September 4, 1984 . It focus on three critical elements of the education system: students, teachers, and the tax-paying members of local communities.

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”

An educational movie about deleterious effects of alcoholism.

The Muyu Middle School in Muyu, Qingchuan County, Sichuan, collapsed in the 512 Wenchuan earthquake, killing 286 students according to official statistics; but the actual death toll is not just that. The director Pan Jianlin, who has been in the area since the sixth day after the earthquake, uses interviews to contrast the different perspectives and statements of the students who escaped the disaster, the teachers who are afraid of taking responsibility, the parents who are desperate, the government officials who are hiding the facts to maintain the government's image, and the rescue workers who are on the run, creating a ridiculous tragedy that is like a Rashomon.

Nadija, a twenty-year old hairdresser, meets Njegos, a member of the car-stealing ring, is visiting her aunt Spasa, a bar owner. This short encounter prompts Nadija to think about her family situation, leaving her a desire to change life.

The children living in a Philippines ghetto grow up too fast, dealing with the cruel world where they have to be responsible for their own lives. But they have bright, innocent and good dreams in their hearts. The reality on the streets of capitalism is, however, too harsh to hold on to these dreams.