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OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.
Shortly after the fall of the Berlin Wall seven photographers from East Germany founded their own agency OSTKREUZ in 1990. The basic idea: a collective, with security in authorship. Soon Ostkreuz became the most important photo agency in Germany. Now, they have 18 members from East and West. One thing unites them: a humanistic worldview. Berlin based filmmaker Maik Reichert accompanies OSTKREUZ since many years. His film tells the photographers' story with and without the Wall.
Karin Hoehne is a retired teacher living in Berlin - Haselhorst. On her way to meet her best friend Rosa Brathuhn she involuntarily witnesses a horrible murder on a passing train. A young woman gets chopped up by an ax murderer. Sadly the police, in particular exchange commissioner Rock Milchester, thinks that she is a slightly senile old lady, especially because no corpse was found. So what else can she do but to try to solve the case on her own. Rosa is quickly persuaded and off they go... A first clue is found next to the tracks. It leads Mrs. Hoehne to the salon of the master of hairstyling Horst Brueller where Miss Gisela Drache runs a strict regime. In spite of her age Mrs. Hoehne starts as a trainee and not only diva Veranda Strunzig-Lopez is quickly convinced of her talents, Horst Brueller and his silky lover Bruno as well. A poisoned wig and more bodies indicate that Mrs. Hoehne follows the right lead.
