Opera Of The Interior

A Taiwanese opera family spanning generations sticks together and travels around the island to earn a livelihood. On and off the traveling stage, they savor the flavors of life and experience both joys and sorrows. Fearless of hardship, they fight together with resilience, presenting the story of their remarkable lives woven with laughter and tears both on and off the stage.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Ali Ewoldt will lead Broadway.com's new vlog, which will follow Ewoldt and her co-stars backstage and onstage at the Majestic Theatre where the longest-running Broadway musical makes magic eight times a week.

Das Phantom der Oper was a 1916 silent film. The film, also known as Das Gespenst im Opernhaus, is notable for being the first film adaptation of the 1910 novel The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film. No copies, photographs or even a poster of the film remain. All that is known is that it was made in Germany in autumn 1915, directed by Ernst Matray, starring Nils Chrisander as the Phantom and Aud Egede-Nissen as Christine, and Raul played by director Ernst Matray.[1]

The Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on all those he deems responsible for her suicide.

It's Rocky meets the Mikado when Larry the Cucumber stars as The Italian Scallion in this newest VeggieTales adventure. Larry is a wrestler who somehow manages never to finish what he starts. Eventually his ability to take anything seriously lands him in the ring with Apollo Gourd.

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

ETOILES: DANCERS OF THE PARIS OPERA BALLET celebrates the legacy one of the best ballet companies in the world by weaving together rehearsals, tour snapshots and performances of classical ballets such as Swan Lake and La Sylphide, as well as contemporary works such as Maurice Bejart's Ninth Symphony, Jiri Kylian's Doux Mensonge (Sweet Lies) and Pierre Darde's Orison. Celebrated filmmaker Nils Tavernier endeavors to understand the psychology of dance by talking candidly with some of the biggest stars in dance today. The film also features interviews with the dancers who explain how and why they endure the emotional and physical hardships of their profession in their intense drive to be on stage.

James Levine leads a stirring performance of Wagner’s epic comedy, seen in Otto Schenk’s classic production. Baritone Michael Volle stars as Hans Sachs, the cobbler-poet at the heart of this story of love, art, and youth vs. age. Leading Wagnerian tenor Johan Botha is Walther von Stolzing, the young knight whose new ideas upset the traditional ways of the mastersingers, and Annette Dasch sings Eva, the girl he loves, whose hand has been promised to the winner of a singing contest. Johannes Martin Kränzle as the pedantic town clerk Beckmesser, Hans-Peter König as Pogner, Eva’s father, and Paul Appleby as David, Sachs’s apprentice complete the stellar cast.

Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.

New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.

An assassin fends off numerous attacks from her comrades, who are trying to move up in rank by killing off the competition.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

An animated version of Gaston Leroux's everlasting tale of "The Phantom of the Opera". Christine has been acting strange the last few days: she, first of all, got the lead part on a new opera and she's arrogant with people. A masked Phantom lurking in the shadows is haunting her, keeping her away from other men, striking revenge on the world above, but he also has a good side, a side that was tortured since childhood.

Mezzo-soprano Aigul Akhmetshina headlines a winning ensemble as the feisty heroine, Rosina, alongside high-flying tenor Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Baritone Andrey Zhilikhovsky stars as Figaro, the titular barber of Seville, with bass-baritone Peter Kálmán as Dr. Bartolo and bass Alexander Vinogradov as Don Basilio rounding out the principal cast.

In Ghost of the Opera, the transformation of the Ankara Exhibition House, which was designed by architect Şevki Balmumcu and completed in 1934, into the Ankara Opera House in 1948, and the depressed period that began in Şevki Balmumcu's life with this transformation and the change of Ankara's architecture.

The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.

In 1913 Beijing, three fierce women—disguised rebel Tsao Wan, jewel-seeking Sheung Hung, and opera heiress Pat Neil—embark on a daring quest filled with intrigue and betrayal, challenging societal norms amidst political turmoil and the vibrant world of Peking Opera.