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In granting us the rare privilege of entry, the Beijing Opera School offers access to the age-old art form of traditional Chinese opera. Based on a typical day for student and their teachers, the film follows them through dawn-to-dusk activities that include acrobatics, classes in singing, music and dance, makeup sessions, schoolwork, rehearsals, and performances. Total immersion in an establishment where discipline is, in many respects, that of a military academy.
Servants Figaro and Susanna are filled with excitement on their wedding day, but there’s a hitch: their employer, the Count Almaviva, has dishonourable intentions of his own towards the bride-to-be. With more twists than a page boy’s stockings, the story of Mozart’s comic opera will surprise and delight you at every turn. Come for the music and stay for the cross-dressing hilarity, all unfolding over the course of one crazy, topsy-turvy day in the Almaviva household. Antonio Pappano conducts a truly international cast in David McVicar’s timeless production.
A film by Frederick Wiseman following the ins and outs of 7 ballets by the Paris Opera Ballet.
A moving night at the opera.
In 2008, the Opéra national de Paris honored the legendary Jerome Robbins. Though the general public may remember him primarily for his staging and choreography of Bernstein’s West Side Story, Robbins was also a brilliant ballet choreographer. In this production, we discover three of his works of classical ballet—En sol, In the Night, and The Concert—paired with Benjamin Millepied’s Triade.
The amazing and epic story of how the Paris Opera House, the Palais Garnier, was built from 1852 to 1870, thanks to the decisive impulse of the French Emperor Napoleon III; a story that is also that of the birth of a golden age for orchestral music, opera and ballet; of the rise of the urban bourgeoisie turned social elite; and of a certain mysterious inhabitant of the darkest corners of a legendary place.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
An in-depth look at the Lon Chaney Sr. horror classic and other "Phantom" films.
In a remote country house, the newly-appointed governess arrives to take charge of the orphaned Flora and Miles. She must fight to protect them from strange and menacing spirits. But are these apparitions real, or the product of her troubled imagination? And what terrible evil occurred before her arrival? Based on the ghost story by Henry James, this edge-of-your-seat psychological thriller reaches new levels of terror and claustrophobia in this spine-chilling production. The disturbingly beautiful music rachets the tension up to breaking point. Hold on tight to your seat, you’re in for quite a night…
Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.
Elijah Moshinsky’s atmospheric production, designed by Mark Thompson, sets the stage for this gripping performance of Tchaikovsky’s passionate setting of Pushkin’s classic novel. Valery Gergiev’s idiomatic and authoritative conducting inspires a superb cast, headed by Plácido Domingo (Ghermann), breathtaking in his portrayal of a man unraveling toward suicide. Galina Gorchakova is Lisa, the woman he loves and destroys, Dmitri Hvorostovsky lends a superb voice and regal bearing to Prince Yeletsky; and Elisabeth Söderström is hair-raising as the old Countess. Olga Borodina is Paulina and Nikolai Putilin is Count Tomsky.
Based on Le fantôme de l'Opéra by Gaston Leroux. Live performance filmed at the Alexandra theatre, Birmingham.
The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
English National Opera’s sparkling production of the much-loved Gilbert and Sullivan classic, set in the Tower of London of the 1950s.
Follow a classically trained composer as he adapts a dime novel masterpiece into a grand opera. In 1912, Zane Grey's Riders of the Purple Sage flew off bookshelves around the world and today is considered iconic. A century later, Craig Bohmler and a team of musicians, singers, and painters translate cowboy culture and the beauty of the west into the realm of Puccini and Verdi.
It was originally conceived as luxuriously as only beggars could imagine it in their dreams. But then, with the change of different life circumstances, it became so cheap that beggars could pay for it. Based on a play by Bertolt Brecht.
The French-language version of the The Threepenny Opera with a different cast from the German version.
Milena, a young director, arrives to Bor, a small mining town in Eastern Serbia. Her aim is to set up Bertolt Brecht's "The Threepenny Opera" with local amateur actors. Different people come to the audition for this play. This documentary portrays their everyday lives, beyond the theater rehearsals.