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Behind the scenes feature for 'The Phantom of the Opera' (1989). Included on the Shout! Factory blu-ray.
Recorded in Buxton, 5th August 2006.
On 20 October 1973, the Sydney Opera House was officially opened by Queen Elizabeth II. From conception to completion, it had taken more than 15 years and over $100 million dollars. In the years since its completion, the Sydney Opera House has become one of the most identifiable of Australia’s icons - ranking with the Sydney Harbour Bridge, Uluru, the koala and kangaroo - and is considered by many to be among the world's great architectural masterpieces.
Were nineteenth century operas to their age what Hollywood superproductions are to ours?' Andreas Velissaropoulos asks.... He describes his film as ‘a surrealist “poorman's superproduction,” full of cultural and historical allusions, contrasting with short glimpses of contemporary reality concerning life and mentalities of young inhabitants of modern Athens.' The sound track uses the music of Beethoven, Bach, Berg, Schoenberg, Richard Strauss and Wagner. Balinese monkey chants, pop culture, symbols of fates, seasons and the elements are interwoven.
Sentimental pirates, blundering policeman, absurd adventures and improbable paradoxes – Gilbert and Sullivan’s dazzling The Pirates of Penzance comes to ENO in a highly anticipated new production from renowned film maker and director Mike Leigh. This much-loved comic opera is a showcase of brilliant humour and razor-sharp wit and features a sparkling score chock-full of memorable melodies and catchy tunes.
A documentary about the original "Phantom of the Opera" stage show and its creation.
Recorded in Buxton, 12th August 2006.
The Paris opera house is about to give a performance of Carmen, when a young usherette is killed in one of the boxes. Faustine must prove her fiancé’s innocence before it’s too late.
Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.
Sakai plays Rui, a 35-year-old single woman forced to live alone after the aunt who raised her suddenly decides to get married and move out. Through an unexpected set of circumstances, she winds up becoming roommates with an aging ladies’ man named Tony and a timid younger man named Kosuke.
This is a documentary produced by the Australian Broadcasting Corporation and directed by Kevin Firkins. This documentary coincided with the production of the talk show opera Dennis Cleveland at the Octagon Theatre as part of the 2001 Perth International Arts Festival.
Macheath (Mack the Knife), notorious bandit and womanizer, runs afoul of Jonathan Peachum when he marries Peachum's daughter Polly in a ceremony of doubtful legality. Peachum's resolve to have Mack sent to the gallows is complicated by the fact that Mack's old army buddy is the chief of police, Tiger Brown. Peachum and his wife commence a series of strategems to ensnare Mack: bribing prostitutes to turn him in, exercising their influence over the police, and ultimately threatening to ruin the coronation of Queen Victoria by having all the beggars in London (whom Peachum controls) line the parade route. Mack is imprisoned, escapes, and is imprisoned again. When his hour of execution arrives, however, a mounted messenger appears with the Queen's reprieve, which includes a baronetcy and an annual pension of 10,000 pounds.
At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.
